Mother Ignacia: Ang Uliran

Out of our glorious historical past comes this story of a Chinese General who unselfishly gave everything to help the Philippine Revolution.

Tomboyish Zsa Zsa (Klaudia) has just taken over a big business where Federico is a part-owner. Federico wants to buy Zsazsa out but she refuses. So he loses control of the company and hires Bobby to win Zsazsa's heart and later sell her stocks to him

“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.

The plot of the movie unfolds through the testimonials of three young sisters: Uring, Luray, and Elya, who recount the grisly sexual molestation they experienced from their adoptive father Timo. The title was taken from the sisters' work as stone tillers in a quarry where most residents earn their living. Apart from being an alcoholic and gambler, Timo is a sex pervert.

Paula and Edmund are peacefully married until she meets Nicanor, a composer who happens to be their neighbor. Edmund feels troubled after seeing Paula seeing interest in Nicanor. Could it be that Nicanor is the man who will destroy their lives?

When a message in a bottle finally reaches its intended target, two unlikely lovers discover they're meant for each other. Working side by side with his depressed father at their family-owned business, Stephen isn't used to doing much talking. On the flip side, the spunky Kristine has never had any problems saying exactly what's on her mind. Can these two polar opposites make their love connection work?

Summoning his younger brother Andrew to the city of Dubai, the financially stable Raffy, a Filipino citizen who's spent several years overseas, hopes his sibling can find work so that they can finally move to Canada. Unfortunately, Raffy doesn't expect Andrew to fall in love with his ex-girlfriend, Faye, a woman Raffy, in fact, still cares for very much.

Powerful drama set in 1960s Ireland about a young, unmarried mother-to-be whose family sends her to a convent. There, out of sight of society, her work in the laundry provides her with close friendships, which bring hope and relief from daily prayer and penance. (Radio Times)

Journalist brothers feud over a woman they both fall for while covering World War II in the far east.

A young woman is brought to Baguio by her new stepfather. While she struggles with her new family and surroundings, she finds herself torn between two young men who bring passion into her life.

The film is liberally inspired by the period when Eça de Queiroz was Portuguese Consul in Cuba, when still a Spanish colony. Eça de Queiroz struggles against local authorities in his defense of Chinese workers, brought to the sugar plantations by greedy middlemen and exploited as slaves. Two parallel stories unfold, that of a Chinese girl which Eça de Queiroz saves from the clutches of one of the island’s most powerful slave owners, and the other of a romance involving a young American woman on holidays in Havana.

Sister Jeanne longs for unity, for something that no longer exists. Her desire reveals the struggle of love against the soul’s doubt, where silence itself is treated as the enemy.

In this sequel to Nobody's Children, Guido still longs for Luisa, who has become a nun. Then he meets Lina, a chorus dancer who is a dead ringer for his former lover.

Poland under Stalinist rule, 1953. A young nun Anna is brought to a prison where an influential priest is kept in. She discovers the priest is the man she loved a few years before. Communist authorities try to make her spy on him now.

Alone in her apartment, Nemo learns to play games with her grief. She cooks; she does her makeup; she knits a sweater that never ends. Meanwhile, the destruction of the world outside looms, threatening to encroach on this inner life.

Sister Emanuelle and Sister Nanà go to meet Mr. Cazzabriga, who has a problem: his wild-child daughter, Monica, who he wants to send to a Catholic school to remove her from temptations around the house.

What can a family do if someone disappears in a dictatorship? You can’t go to the police for help or information. Many families were affected in this way by the cruelty of the Marcos dictatorship (1972-1986). The film shows one of them as an example of paradise lost.

Based on a true story and set in one of the most colorful periods in Philippine history, ROSARIO is destined to be a modern masterpiece in Philippine filmmaking. It is a monumental yet intimate portrait of a woman's emancipation and the sometimes painful consequencesof following one's desires.

Continuing the tradition of national artist Ishmael Bernal's benchmark film Working Girls after 25 years, Working Girls of 2010 depicts the role of women in the new millennium. Seven women of different backgrounds, stories and personalities entwined in a colorful story of family, love and life.

The moment these two saw each other at the café, they couldn’t take their eyes off each other. Their attraction was apparent and it seemed that destiny brought them together. As they got to know the other better, they found solace and comfort in each other’s company. But the security they found in each other soon started to shake when their different life paths take them to different directions. Despite the love they both still have for each other, one must choose to decide when to let go, even if the other is still holding on.