Flicker Memories

This short film takes a nostalgic look at the Mack Sennett comedies of the silent cinema era.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major filmmakers: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.

This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

A Turner Classic Movies (TCM) documentary about Keaton's discontented relationship with MGM and the events that eventually led to his career downfall.

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

This film features highlights of MGM's productions from 1924 through 1943, in honor of the studio's twentieth anniversary.

Failing in both his professional and personal lives, Saad decides to pursue his childhood dream of becoming a freestyle wrestler. The dream soon turns into a nightmare when he posts a clip of his auditions and the beating he takes. He meets a famous wrestling manager and a Pakistani coach who help him reenter the wrestling world.

As the local main sponsor, the Van As company has been given the opportunity to organize a prestigious cyclocross race. When a fire breaks out on the grounds the day before the event, Frans, the founder of Van As, suspects sabotage. He blows a fuse and, like Clint Eastwood, rises from his chair to take down the villain. But is everything as it seems?

The Party Animal is a documentary-style comedy about a sex-starved man, Pondo Sinatra, a 26-year-old college student whom everyone agrees is doomed to die a virgin. Desperate to break what seems to be a cosmic curse, he tries ever more bizarre schemes to seduce one the sexy, scantily-clad women who seem to be everywhere, taunting him and enjoying his misery. Despite his best efforts, however, he is rejected everywhere, even at the local cathouse. When Pondo threatens to kill himself, Studley, his ladykilling best friend, tries to help him in his quest to "get him a little", as does Studley's mentor, a wise old janitor named Elbow.

Javi, Hugo, Dani and Pedro are four friends in their late twenties trying to make a life for themselves. The cafe is where the buddies meet through the ups and downs of fast-paced lives full of basketball games, late-night partying and schemes to get what they want most: a little love and a girl who loves them.

A group of down-and-out accountants mutiny against their bosses and sail their office building onto the high seas in search of a pirate's life.

A Blair witch project spoof found on The Bogus Witch Project.

Erwin wants to propose to Natalie, but encounters obstacles due to demands from his prospective in-laws. On the other hand, Koh Afuk urges Yohan and Ayu to have children soon.

Homer Flagg (Lewis) is a railroad worker in the small town of Desert Hole, New Mexico. One day he finds an abandoned automobile at an old atomic proving ground. His doctor and best friend, Steve Harris (Martin), diagnoses him with radiation poisoning and gives Homer three weeks to live. A reporter for a New York newspaper, hears of Homer's plight and convinces her editor, to provide an all-expenses paid trip to New York.

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.