Flicker Memories

This short film takes a nostalgic look at the Mack Sennett comedies of the silent cinema era.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

A Turner Classic Movies (TCM) documentary about Keaton's discontented relationship with MGM and the events that eventually led to his career downfall.

This film features highlights of MGM's productions from 1924 through 1943, in honor of the studio's twentieth anniversary.

This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

The Death of 'Superman Lives': What Happened? feature film documents the process of development of the ill fated "Superman Lives" movie, that was to be directed by Tim Burton and star Nicolas Cage as the man of steel himself, Superman. The project went through years of development before the plug was pulled, and this documentary interviews the major filmmakers: Kevin Smith, Tim Burton, Jon Peters, Dan Gilroy, Colleen Atwood, Lorenzo di Bonaventura and many many more.

Cigar counter girl Tessie tips off her mechanic boyfriend that a wealthy women is going to buy a car, and he leaves Tessie for Mrs. Welles.

When a hand model for a dish soap commercial gets too immersed in his "role", arguments and turbulence on set ensue.

Four men gather to curse one of their ex-boyfriends by invoking the Holly King, an ancient elemental being, and end up biting off a little more than they can chew.

A single mom needs a job. A ski resort needs a Santa. Disguised as a St. Nick lookalike, can Taylor fool a charming hotel heir into ho-ho-hiring her?

Due to the sudden death of his grandfather, Nejat (8) arrives at a funeral home for the first time in his life. As soon as they arrive, he is left all alone by his devastated mourning parents. Nejat gets so confused in this chaotic environment, especially because he doesn't know how to feel or behave in this certain situation. On the contrary, everyone around him has strong opinions about how he should feel or behave, so they force him to act accordingly. Failing to take the pressure off, Nejat finds himself in a great struggle of 'not to get sad.' As the tension escalates, the war begins...

A young man who has never worked in his life and is addicted to computer games starts working as a security guard at a shopping mall under pressure from his mother.

Im Schnitt

Layer Cake