Os Paspalhões em Pinóquio 2000

A little wooden puppet yearns to become a real boy.

One of puppet-maker Geppetto's creations comes magically to life. This puppet, Pinocchio, has one major desire and that is to become a real boy someday. In order to accomplish this goal he has to learn to act responsibly. This film shows you the adventures on which he learns valuable lessons.

The Little Wooden Toy. The unforgettable story of a little wooden boy who longs with all his heart to become real. When a small spark of magic escapes from the Blue Fairy's home, it travels down toy maker Gepetto's chimney, bringing one small log to life. Then, when Gepetto's toys stop being sold regularly, he decides to make a toy for his own using this same log. Soon, his new wooden puppet is complete, which instantly comes to life getting mixed up in all kinds of troubles. Soon, however, with the guidance of the talking cricket and the Blue Fairy, Pinocchio learns what is needed for him to earn his heart's desire of becoming a real boy. Written by Frederick Irizarry.

The film was directed by Giuliano Cenci with assistance from his brother Renzo. During production, Carlo Collodis grandchildren Mario and Antonio Lorenzini were consulted. The subtle movements made by fidgeting children whilst speaking or under scrutiny were incorporated into Pinocchios movements, particularly when he lies to the Fairy with the Turquoise Hair over the fate of his gold coins. For the design of the Fairy, Italian portrayals of the Blessed Virgin Mary in art were used as starting points.

David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.

A memory-wiped and defective cyborg sex slave is tossed onto the streets and taken in by a homeless woman while his corporate creators hunt him down.

The film is set in the fictional town of Balrampur where Vedvyas Tripathi better known as Bhajan Kumar lives with his family headed by his father Pandit Siyaram Tripathi. Bhajan Kumar’s life with his family was going well till a question on his identity arises that throws the city in a flurry of rumour and apprehension. Will he survive or fall prey to this onslaught?

After a whirlwind marriage with social media influencer Akhil Chadha that ends in divorce, chef Saloni Bagga meets hotelier Gurbir Pannu. One night with Gurbir – and then also with Akhil – leads to Saloni getting pregnant. But who's the father? By a one-in-a-billion twist of fate, Saloni is carrying twins – and not just any twins, each child has a different father!

Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Live-wire comedian Arnez J. totes his talent for impressions to the stage of Boston's Wilbur Theater for this one-hour comedy special that pokes fun -- lots of fun -- at racial stereotypes.

A story of the location of shipwrecked treasure (gold ingots) being hunted down by 4 children George, Julian, Dick and Ann (sic) and their dog Tim up against a couple of machinating baddies...

Eric and Louise's honeymoon is disrupted by a stranger who claims he will perform a miracle. Meanwhile, Eric's brother and best friend are both experiencing trouble with their own relationships and want to warn him about challenges of marriage.

Three young girls working in an agency have build a singing trio. They want to "lease" the Dictaphone of their boss to make a record of their singing, but they are caught and fired. When they are not able to pay their rent any longer, they decide to try it on an amateur contest at a radio station.

When obscenely rich hedge-fund manager James is convicted of fraud and sentenced to a stretch in San Quentin, the judge gives him one month to get his affairs in order. Knowing that he won't survive more than a few minutes in prison on his own, James desperately turns to Darnell-- a black businessman who's never even had a parking ticket -- for help. As Darnell puts James through the wringer, both learn that they were wrong about many things, including each other.

Bayaya, a young peasant, protected by the spirit of his dead mother, arrives at the castle of the King, where he entertains his three daughters. He soon realizes that the three princesses are nagged by evil spirits. The little peasant manages to rid them of them, fights a duel with a wicked lord who wanted to marry one of the three princesses. He finally wins the heart of the youngest sister while saving the soul of his mother who was in purgatory.

Adapting Jaroslav Hasek's raucous satirical novel, and also bringing Josef Lada's equally famous illustrations to garrulous puppet life, posed Trnka one of his biggest creative challenges. Trnka himself felt that the final episode was the most artistically successful, but there's much to enjoy in all three, not least the way that the lackadaisical layabout Svejk's own self-serving anecdotes are realized through cut-out animation.