Jodi No. 1

A couple’s caustic, increasingly jarring interactions over a Mumbai evening strain their relationship until it threatens to break at its fraying seams.

An Inspector tries to figure out a case of serial kidnapping in neighborhood simultaneously a couple live their happy life, soon to realize everything is connected.

A man, who forces a woman to marry him, hopes she will fall in love with him later.

Zakir Khan is back, and this time he takes you down the memory lane by reminiscing about school, friends and everything that era signified for Zakir. Right from survival to bullying he shares every hysterical and amusing story from his book of memories.

U.S. based Anjali Thapar (Amrita Rao) has repeated dreams of a parallel life in India, the temple of Devi Maa Durga, & some sword-wielding men on horseback. She and her mother consult a pandit, and he advises them to go to India to clear this matter up, as this pertains to her past life. Mr. Thapar will only let Anjali go there after she marries the man of his choice; so Anjali decides to run away. Her father alerts a ruthless CBI Officer Sikander Baksh (Danny Denzongpa), who is soon on her case. Anjali meets with car-thieves, Karan and his uncle (Arya Babbar and Shakti Kapoor respectively), and then begins her journey into a past life, as Nandini, the lover of freedom fighter Abhay (also Arya Babbar), and his subsequent death at the hands of British-aided traitor Tejeshwar Singhal (Ashutosh Rana).

Four men form a gang with a plan of making a quick buck by kidnapping a rich girl for ransom. Not being prepared for unforeseen situation, they are forced to barge in and take shelter in a house and take the people in the house as hostages

A woman with a boyfriend seduces a teenager after he spies on her.

Since childhood, Vikram has held a deep grudge against his father for deserting him as a boy. Will his attraction to an unlikely love interest cure him of his resentment, or will it make things worse?

Story of 3 Bachelors wandering for girls

A Punjabi man returning to India falls in love with a woman whose family welcomes him as a guest before realizing he is the man they need to kill in order to avenge their loved ones.

Shalini Saxena lives a wealthy life-style with her brother Rajesh. She attends college and writes a few poems under the name Seema as part time activity, she meets her fellow collegian an orphan called Arun Kumar who sings for important occasions usually following the words of her poem. Shalini loves Arun wholeheartedly but is unable to express her feelings to him and thus she secretly helps Arun to not only become a popular singer but also rich. And then Arun gets married to the college principal daughter Meena; this breaks Shalini's heart and to make matters worse she is diagnosed with throat cancer and does not have any longer to live.

The Angrez is a 2006 Indian comedy movie directed by Kuntaa Nikkil. In this movie, the word "Angrez" refers to English people and non-resident Indians. The movie was a trendsetter in that, it was one of the first to effectively and humorously, often resorting to the slapstick kind, portray the dialect of the Old City and the Hyderabadi tongue. The film also portrays the fascination for American materialism, the hype around the IT industry and the lifestyle and culture it has spawned.

It follows the story of Meghna, who gets embroiled in a series of events after her phone gets stolen.

Killed too soon due to a clerical error in heaven, a man is sent back to earth with a new lease on life, this time in the body of his portly friend.

Jwalamukhi

Quickie is a Bollywood comedy movie touted to be a teenage love story.

Kabir, a highly intelligent but short-tempered medical surgeon spirals into addiction after his intense relationship with his girlfriend turbulently ends.

During 18th century India, the Marathas emerged as the most powerful empire in the nation until the Afghan King Ahmad Shah Abdali plans to take over India. Sadashiv Rao Bhau is brought in to save the empire from the king which then leads to the third battle of Panipat.

Returning home to visit their ill grandfather, two estranged brothers must confront their unresolved rivalry while their parents’ marriage frays.

The film wryly expresses the changes in hierarchy, caste and the power equation when water, the most important resource, vanishes and how the oppressed become the oppressors.