After 17 years of marriage in American suburbia, Richard and Barbara Harmon step into the new world of divorce.
At 18,000 feet above sea level and over the course of 40 days last Spring, documentary filmmaker Dianne Whelan immersed herself in the challenging and captivating world of base camp at Mt. Everest. With spectacular footage of the mountains’ landscape as a backdrop, 40 DAYS AT BASE CAMP is an intriguing and intimate portrayal of three climbing teams and their journey to the peak.
This short documentary recounts a 2000-km expedition undertaken by 7 rangers (both Inuit and non-Native) and a female filmmaker to raise a flag on the northernmost tip of Canadian soil, 412 km from the North Pole. With a mesmerizing soundtrack by Nunavut-born singer Tanya Tagaq and spectacular footage of the Arctic landscape, This Land captures the epic adventure with raw immediacy.
Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.
In 1938 Berlin, Gudrun Landgrebe, wife of Nazi functionary Kevin McNally, begins taking art lessons. She makes the acquaintance of another student, Japanese ambassador's daughter Mio Takaki. Soon afterwards, the two women begin a passionate lesbian affair. This leads to a chain reaction of disaster and tragedy, culminating with the inevitable intervention of the Gestapo. Despite the film's galloping sexual passions, The Berlin Affair is an exercise in aloofness, keeping the characters at arm's length-surprising, considering that the director was Liliana Cavani, auteur of the erotic classic The Night Porter (1974). The film was based on The Buddhist Cross, a novel by Junichiro Tanizaki.
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Valerie (Stefanie Stappenbeck) is about to get married to the first and only man she ever slept with. But before that happens, she wants to at least try on other guy. So she asks her friends Minza (Mina Tander) and Edda (Simone Hanselmann) to find her a single and suitable match. When they realize there is no other choice than best man Tim, long buried feeling are revived.
An isolated house is too remote for a lone servant, who leaves a note, quietly exits the back door, and puts the key under the mat. Left alone in the house is a mother and her infant. A tramp has watched the servant leave and begins to skulk. When the lady of the house sees him outside as he discovers the key, she's terrified and desperately phones her husband, who's at work in town. He jumps into a car that's idling in front of his office and races toward home, the car's owner, and police, in hot pursuit.
Five women directors offer their own very idiosyncratic view of sensuality and eroticism through the five senses of sight, smell, touch, taste and hearing.
Victor is the engineer who has set up the Nuclear Power Plant Zapater. Alongside his professional problems he also hasa difficult family situation: a divorce, a teenage homosexual son, a relationship that is not satisfactory, the emergence of a new woman. With just a few days to the inauguration, Luis Maria, an engineer close friend of Victor, responsible for a serious accident in the past and addicted to alcohol, warns of the possibility of a malfunction of the plant. Nothing guarantees the truth of this warning, but to find it out the inauguration is suspended
A woman nearing her forties, Andrea Soriana, has always pushed aside personal questions and romantic relationships in pursuit of professional success. Now a major illness forces her to reconsider her life--work, family, friendships, men-- causing a psychological and emotional crisis pushes her toward a drastic decision.
Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.
Three characters meet on a winter night at a bus stop and attend to the abandonment of a dog. Mila, a teacher who has been a year off after being attacked by one of his students. Celso, security guard, married, father of a child with serious economic problems, about to learn that is going to be father again, but this time with twins. And Valeria, a cello student, with a murky relationship with her family and her love. The three set out on a journey that will take them to confront their fears and frustrations and to make each a decision that will change their lives.
During an outbreak of violent murders in the area targeting young women, a journalist searching for a female friend gone missing ends up in a villa owned by an eccentric photographer.
Indeed a tribute, this movie tells the story of Princess Diana's last year, from May 1996 to her fatal accident in August 1997. It focuses on her love affairs with a Pakistani heart surgeon and with Dodi Al Fayed, on her battle with the press, her charity work, and her relationship with her sons. Many scenes re-enact well-known images and moments from this year, and the movie ends on the note that Diana was about to accept Dodi's proposal of marriage when the accident occurred
The year is 1932, and a woman, whose tenant-farmer fiancé is fighting in China, is raped by the landowner's son, who has returned from the war with a crippling injury, and then forced into marriage with him. In four more chapters, presented over three decades, their children undertake their own searches for love, while the parents try to make each other as miserable as possible.
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York.
Martha Rosler explores kitchen utensils by alphabet.
Nineteen-year-old Nelson is a Puerto Rican high school dropout from the South Bronx looking for a ticket out of the ghetto. Thaddeus, 22, gives up a cushy stockbroker job to pursue fantasies of killing Osama Bin Laden. Sara, 22, a dancer from North Carolina fails to make it in New York and leaves her best girlfriend to return home. Swept up in the patriotic fervour that followed 9/11, these young Americans dream of fighting for their country, of being the heroes that star in the slick ad campaigns broadcast by the military. Canadian director Sarah Goodman, living in New York at the time, saw long line-ups at recruitment centres as the country prepared for war. Gaining incredible access to the US army bases, Goodman follows the three new recruits for the next two years, starting with the harshness of basic training. Army of One is a heartbreaking film that exposes what happens to each of them as their dreams of heroism clash with the realities of army life.
A Confederate and his sons become postwar marauders and face another son who left them, in Texas.