Dear Jean-Claude

Two girls meet by chance in a bookstore and experience an instant connection.

A man on a supermarket encounters a woman who tells him he reminds her of her late son.

In the heat of summer, Fabrizio is desperate to find the right time and place to make out with Nadia, his longtime girlfriend. With frustration building because his best laid plans are constantly getting interrupted, he comes up with a novel solution — but it will take more than just one teen boy to make it happen.

An inside joke between friends leads to a debate on when their friend Mark matured.

A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.

A killer hates and punishes people who are using the small phone.

In a country house a patriarch lords over his community made up of a tired woman and a boy in the midst of an economic-adolescent crisis. The guest of the facility is Dr. Girarda, a chemist extradited from Poland.

A woman becomes a Lyft driver and tries to reinvent her life.

Professor Pierre is assigned to find a missing heiress whose fortune will go to a worthless relative if she isn't found. He uses most of his dialect ability in the search by posing as a Chinaman, an Englishman, a sailor and a Scotchman, but is unable to find her. He meets his sweetheart at a restaurant and, there, discovers she is the heiress he has been searching for. She breaks off their romance when she finds out she is rich.

A husband becomes unfaithful to his wife, and buys a bouquet of flowers which he wants to give an another woman. But that woman doesn't come to the meeting, so he tries to get rid of the bouquet.

A man's life is upended by increasingly threatening phone calls demanding he leave a review for a paperweight purchased online.

When a young, deaf woman forms a bond with an unlikely stranger, the two are forced to communicate in the absence of language.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Koro wants to get to the other side of the road.

Sam is a teenager whose many anxieties manifest as a ghostly apparition of his mother that is determined to give him a panic attack.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

Correspondence between young lovers nearly ends in disaster through a mistake in postal district. Fortunately the GPO spots the error and all ends well, but with the moral that correspondents should get the address right.

An actor tries to bolsters his confidence by trying on high end fashion.

A bizarre local food vendor helps cure two friends of their hunger pain.