Loafers and Lovers

Bob Wharton marries Lorelei Knight, a beauty contest winner. While on their honeymoon, Bob is laughingly abducted by the flirtatious Bernice Lane, who keeps Bob out way past his bedtime.

A young woman of wealth revenges herself on a young author whose peculiar ideas about women have led him to act and speak in an insulting manner. This young man isolates himself in the mountains for the purpose of writing a story on the primitive woman, where he is discovered by his friends, to whom he vows that no woman shall cross his threshold. The mischievous young woman of the story, determined to place him at her feet, goes secretly to the home of a mountain woman with whom she lives in the guise of a wild girl of the hills. Purposely sliding over an embankment where she knows she will fall in his path, she is rewarded by having him pick her up and carry her to his cabin, where she pretends to be too much injured to be moved that day. The mountain woman is sent for and the two remain in the cabin of the author for several days. Finally she is discovered by her people, when it also comes to light that the woman-hating author has fallen to the charms of his pretty visitor.

Gerald Faulkner, a young tin-can salesman, has fallen for sexy chorus girl Carlotta La Mere. One day Gerald's wealthy uncle Dunley makes him an offer: if he gets married by the following Saturday, Dunley will give him $100,000. Gerald rushes to propose to Carlotta, who agrees. However, the day before the wedding she asks for a postponement. Complications ensue.

Amy Spencer is engaged to artist Heath Desmond, a nature-worshipper who shuns organized religion. James Bartlett, a minister in love with Amy, influences her against Heath, and they break up. Cousin Kate Curtis, a novelist whose views on love are considered by her relatives to be unconventional, is called in to smooth matters over. She meets Heath on the train, and the two, not knowing each other's identity, apparently fall in love.

Pa Glitters and his daughter are beset upon by Slippery Ike who is intent on separating them from their jewels until Bunco Charley comes to their rescue in fine comic fashion.

Hafed, a Turkish prince, imprisons an American girl and her father. The girl sends for Jim, who attempts a rescue. Jim is captured, but Hafed's jealous wife helps them escape. When the initial escape fails, Jim returns in disguise as a dancing girl. He dances for Hafed, luring him into a private encounter where Jim's identity is revealed. A fight leads Jim to take refuge in a tree. Surrounded by guards, Jim summons a warship. A shell from the warship blows up the tree, landing Jim safely on the battleship's deck and securing his escape.

Short comedy set against the backstage lives of a group of performers.

Slapstick comedy short about a quarreling couple and a nosy mother-in-law.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

One of many Larry Semon directed Vitagraph comic shorts. Like a large portion of them this is lost.

Two blowhard amateur bowlers boast about their prowess only to be shown up for the Big Bluffs they are.

Directed by Max Urban.

Mary Lucille Smith, a schoolgirl who elopes with John Chiverick, gets her marriage annulled by her father, and later pretends to be a widow to romance another man, Larry McLeod, leading to chaotic mix-ups and hidden identities at a party where Chiverick's new wife also shows up, all about mistaken identities, secret pasts, and comedic marital mishaps.

Attracted by his wealth, avaricious Germaine marries D'Artois, then leaves him for a more sophisticated man. D'Artois retaliates by moving to the city and learning the proper social graces. His new life style proves to be too expensive for him, and at the end he is left with nothing but one suit of evening clothes and his now contrite wife.

Women They Talk About is a part-talkie Vitaphone film, with talking, music and sound effects sequences, starring Irene Rich, directed by Lloyd Bacon and produced and distributed by Warner Bros. It is considered to be a lost film.

Comedy of a school marm teaching a social climber some life lessons.

Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.

A girl believes her friend's fiance is hiding a false leg and intends to prove it.

A young man marries an actress, but meanwhile her uncle has signed a contract binding her to spinsterhood, many complications arise.

Dalion Pemberton discovers that in order to inherit his grandfather's estate, he must marry Virginia Christy--a complete stranger. Dalion, who doesn't particularly trust or even like women, decides to forgo his grandfather's fortune rather than marry a woman he doesn't know. However, while on a trip to Buenos Aires, Argentina, he spots a beautiful woman and immediately falls for her. When he discovers that she is sailing to New York City, he stows away on the ship so he can follow her. Things don't turn out quite the way he planned.