A high-school graduate, a Japanese business man, and an abandoned horse face uncertain futures in a small town.
Two short films released together under a collective title. The first, "Secret Sharer", directed by John Brahm and starring James Mason, is based on a short story by Joseph Conrad. The second tale, "Bride Comes to Yellow Sky", directed by Bretaigne Windust and starring Robert Preston, is adapted from Stephen Crane's short story.
Frustrated by the lack of intimacy in her relationship, a young schoolteacher goes through a series of intimidating and often violent sexual partners.
A businessman blackmails his young secretary into spending a weekend with him.
Despite initially starting out in wedded bliss, devoted wife Candice and her manipulative husband, Ken, end up at odds, so much so that he hires a hitman to kill her and their unborn child. Candice finds herself embroiled in the fight of her life.
Punyalan Agarbattis is the story of Joy Thakkolkaran, a young entrepreuner from Thrissur. His new business venture 'Punyalan Agarbattis' involves manufacturing agarbattis from elephant dung. Fragrance and quality of his incense sticks aside, its mosquito repellant capabilities too have pleased those who tried the samples. However, Joy suddenly has a new set of people and problems as 'Punyalan Agarbattis' comes to a halt.
A pregnant widow, believing herself to be guided by her unborn child, embarks on a homicidal rampage.
About a woman who changes personality to please the man she's with, and about the man who brings her sexuality to full bloom.
A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.
A misfit turned L.A. model struggles to define herself in the soul-crushing fashion industry, until a mysterious woman's haunting performance strikes her imagination.
A veteran-turned-mercenary is hired to take a young woman with a secret from post-apocalyptic Eastern Europe to New York City.
An American attorney on business in China, ends up wrongfully on trial for murder and his only key to innocence is a female defense lawyer from the country.
Alice finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through the sleeping mind of her unborn child.
A grieving doctor is being contacted by his late wife through his patient's near death experiences.
The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.
Fed up with her tiny hometown, Cassie Barnes moves to New York City to find a job. She and her two friends, Dot and Gladys, soon have romantic troubles.
On the way to meet with an independent artist in the South, newlywed art dealer Madeleine is convinced by her husband, George, that they should stop to meet his family in North Carolina. Madeleine's affluent lifestyle clashes with the family, but she befriends George's wide-eyed and pregnant sister-in-law, Ashley, who is nearing her due date. Through the family, Madeleine gains greater insight into George's character.
An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.