Facing the Music

A testament of the greta B-movie director Lucio Fulci, whose films inspired great director like Quentin Tarantino. Lucio Fulci gift a long meditation about moviemaking fascinating for his sincerity, irony e clearness, about his filmmaking and his particular career.

Kennedy is a rebellious, young musician who believes that talent and determination are all it takes to be a success. But as he and his loyal bandmates learn, success carries a heavy price .

From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.

2012 documentary on John Cage celebrating his 100th birthday in the form of a re-edit of partially unused film material shot for the film 'Time is Music’ in 1987. Includes interviews and recordings of performances with the influential zen composer.

Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.

Alfred Brendel, one of the greatest of all pianists, plays and reflects on Franz Schubert’s last three piano sonatas. As he points out, Schubert can’t have known that he was soon to die, so they probably do not embody the air of resignation and finality future generations have sentimentally insisted they bear. They were however long neglected, all but forgotten, and only in more recent times have they come to be treasured and performed. The repose and wisdom of the maestro, together with the patient observation of one who is no stranger to the idea of the irrevocably lost, of the erasures of history, and of the value of fragile objects passed carefully from generation to generation, is a joy.

Abigail connects the dots of a human map that links the indigenous Amazon cultures to Afro-Brazilian religions. The reverse of the inverse, a house of nearly extinct memories.

A silly song about killing spiders.

Contrasts traditional and modern village life, as changes occur with better transport and as country estates are sold off for housing.

My Millennial Life is an intimate and entertaining observational documentary, featuring five dynamic 20-somethings. Set against the backdrop of underemployment, high unemployment, and uncertainty, the film presents the subjects' longings, challenges and dreams to make a mark in the world.

Two girls star in this musical drama amazing road! A van, a beach, a reed, very homesick, girls in flower perched at gas stations… and a little music.

This cinema-verite-style documentary interweaves the pregnancy and childbirth of a young woman with the lingering death of a cancer patient to comment on the celebration and tragedy of existence. The tenderness and intimacy of the young couple, and the mystery of birth are contrasted with the dignity of a man who faces his death without deception.

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

Profile of choreographer, composer and performer Meredith Monk, recorded on location in her home base, New York City. Monk discusses some ideas underlying her work: her attraction to the eloquence of the human voice, and the direct communication made possible by the abstract qualities of music; her emphasis on the poetic rather than the political; her belief in the power of images; her willingness to take risks. She describes her experiences in working in different media, such as audio recordings, films, and videos, and the challenge of weaving them together.

This short film is an autobiographical portrait of a young Argentine lesbian growing up in a homophobic environment.

An exploration of the unique culture of Newfoundland's outports, the film revisits the PR coup that launched the animal rights movement onto the international stage: the 1977 Newfoundland visit, orchestrated by the International Fund for Animal Welfare, of French actress turned animal rights activist Brigitte Bardot to protest the area's ancestral sealing activities. Soon, inhabitants of the island's northern outports we're being introduced to the world as the epitome of brutality.

An educational documentary spanning two continents, opening up a much-needed debate about traditional African spiritual systems; their cosmologies, ideologies and underlying ethical principles. Modern science no longer refutes the origins of mankind being in Africa and similarities in the cosmological ideologies of African esoteric systems with those found many established world religions today, suggest that it was not only people that migrated, but also concepts and themes that then provided bedrock for the formation of other systems of belief.

Akerman spends a brief period on her own in an apartment by the sea in Tel Aviv. She films from the apartment and in her narration she talks about her family, her Jewish identity and her childhood. She wonders whether normal everyday life is possible in this place and whether filming is a realistic option.

The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.