Mairy, a thirty-year-old woman from Philippines, works in a village in Cyprus. She takes care of Mr. Michalis, an eigthy-five-year-old man with arteriosclerosis. Mr. Michalis spends his days in front of the television, watching time and again a soap opera with a heroine named Anna. He soon becomes obsessed with this heroine, to the point of calling Mairy 'Anna', despite the remarks of his daughter Melpo. When Mairy finds some old photographs she makes an important discovery...
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
During a game of hide and seek, a new bride hides in a chest and remains undiscovered until a strange visitation thirty years later.
The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.
Through a series of auditions, a young actor in New York City struggles with his identity.
Padam...
Jesus is asked to judge an inheritance dispute, but instead He uses this conflict to affirm the eternal ideals of His Beatitudes taught in the Sermon on the Mount. Jesus teaches the wronged brother to forgive and love his brother. All who follow Jesus must learn that what we own has little to do with who we are. Important ideals of stewardship and preparedness are emphasized through the parable of the House Built on Rock.
A man recognizes the thief who had previously robbed him as one of the men involved in an unrelated mob shootout.
Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.
Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.
Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
The family of a Parisian shop-owner spends a day in the country. The daughter falls in love with a man at the inn, where they spend the day.
An exhortation to drivers to pay attention to road safety. In just 15 minutes, John Krish manages to give this road safety film something new and different by presenting events not from the point of view of the driver, but of his brain, memory and ego, who operate from a rather camp technology-driven command centre.
Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.
A man attempts to evade observation by an all-seeing eye.
In a future where victims of traumatic crimes have the memory erased like it never happened, one woman finds herself struggling for her right to refuse the process.
In the aftermath of a deadly haunting in a small suburban home, a sinister omnipresent entity proceeds to cause havoc in the private lives of a young boy, an unsuspecting teen, and an absent-minded inspector.