Triumph der Gerechten

After they have graduated from school, the two best friends Kati and Jo jump into their purple Benz and embark on a journey around the world southwards. Kati, however, struggled with the decision for the journey as the love of her life returned to their hometown Tandern shortly before their departure. The journey leads the two friends over the Brenner pass, where their car suddenly stops working. When Kati then also learns that her grandfather is about to die, she wants to return home – this puts the friendship of the two to an acid test.

A German-born director of an American television station travels through Bavaria with a folk music impresario to do research for a show to be broadcast directly to the United States. He comes into contact with all kinds of people and all kinds of different expressions of Bavarian folk music.

Jonathan, a well-fed ship's cook, and his friend Michael go ashore in an oriental port city after a long sea voyage. They cannot resist the lure of an enticing drug den, where they are mercilessly plied with drink and robbed. They find refuge with the wealthy passenger Hieronymus Walden, who is staying at a luxury hotel. However, the two Bavarians must agree to rescue his granddaughter Kathi, who has disappeared into an oriental harem.

Mein Freund der Scheich

North Face tells the story of two German climbers Toni Kurz and Andreas Hinterstoisser and their attempt to scale the deadly North Face of the Eiger.

The film consists of a monologue performed by Walter Sedlmayr, who plays Theodor Hierneis, the chef at the court of Ludwig II of Bavaria. The screenplay was written by Syberberg and Sedlmayr and is based on the memoirs of Hierneis.

The enigma of the personality cult is revealed in the grand spectacle of Stalin’s funeral. The film is based on unique archive footage, shot in the USSR on March 5 - 9, 1953, when the country mourned and buried Joseph Stalin.

The former waiter Ernst Held believes himself to be called higher and seeks self-realization as a poet. When he recites poems to his wife's beautician in an ambiguous situation, his wife puts him out the door. Completely destitute, the thwarted poet must therefore return to the lowlands of life and become the head in the Munich pub "Goldener Löffel".

With the death of her mother, eight-year-old Anna ends her childhood: From now on, she has to look after the nine-member family. Deprivation-rich years, which also find no end when Anna marries: Her husband Albert must be a soldier in the Second World War, and the pregnant Anna has to work hard in the farm and care sick relatives. Lonely and exposed to the harassment of the tyrannical mother-in-law, she waits for Albert, with no certainty that he will ever return.

Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter...

Kati drives the VW bus of her parents even without a license quite fast. But what else should one do in the Bavarian province? Kati and her best friend Jo keep asking themselves this question when they philosophize about God and the world with the tip in one hand and the beer in the other hand. After all, Kati's swarm Mike has just come back from the Bundeswehr, but while she dreams of the great love, he seems to take the matter far less seriously. And there's only stress with her dad.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

On idyllic Königsee the impotent Scot McFitz searches after a fabled potency enhancing plant. Soon, the news is talking about and the whole village goes off in search of the pleasure-promoting herb

Rosemarie, called Rosi, and her colleague Uli have worked as waitresses in a strip club in downtown Munich. Now the disused shop has been closed by the police for reasons of custom and decency.

The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.

Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.

After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.

Lene Thurner is standing on a train platform in Munich. She has to decide: back to Berlin where she lives, or toward the south, where at the foot of the Alps her family lives on the lonely farm “Hierankl”.

In May 1828, a feral boy aged around 16 was found in Nuremberg. Kaspar Hauser, as he is called, can only speak a few indistinct words and knows nothing about his origins or family. The film depicts the - presumed - circumstances under which Hauser was held captive in complete isolation in a hiding place from infancy onwards. From this emerges the picture of an intrigue involving high circles of aristocratic society. Five years after his liberation, in December 1833, Kaspar Hauser died as a result of a stab wound inflicted by an unknown perpetrator.

Even today, Mathias Kneißl (1875-1902) is considered a national hero in the collective memory of Bavaria. During his lifetime, he was the most wanted criminal in Bavaria and even Prince Regent Luitpold was reported daily on the hunt for the lawbreaker report. Again and again Kneißl's story has occupied the Bavarian artists: his life was retold in folk songs and murders, sung in ballads, filmed and treated in various plays. In his feature film version, the Bavarian filmmaker Marcus H. Rosenmüller relies on a rapid staging, opulent images and a moving love story.