Porky, a talent scout for "Goode and Korney Talent Agency," auditions various acts. A final gag has a wolf performing this "stupendous act" where he wears a devil hat, cape and the like, drinks nitroglycerin, gasoline and other explosive stuff, then swallows a match. KABOOM! Porky thinks that the act is really good until the wolf's ghost comes in and says that there's a catch... "I can only do it once!"(Source: bcdb.com)
Universal cowboy star Rod Cameron plays Geoffrey, conductor of a high-toned symphony orchestra. Secretly harboring the desire to become a swingin' jazz trumpeter, Geoffrey takes a job at a "hot" Broadway nightclub. Here he meets and falls in love with café songstress Donna (Frances Raeburn), who has led her family to believe that she's studying for a classical-music career. Meanwhile, a comedy-relief romance develops between Geoffrey's snooty valet Chumley (Arthur Treacher) and Donna's best pal Pat (Jacqueline De Wit). For those not interested in the plot (what there is of it), Swing Out, Sister includes specialty numbers by organist Selika Pettiford and the Lou Diamond Quintet.
Disparate twin brothers find themselves involved in romantic mayhem when their respective girl friends get them confused in this musical comedy.
When Bigshot Jones gives his unnamed dog to the All-For-One Club, Buckwheat quickly names the canine "Smallpox", inadvertently causing a city-wide panic.
A scientist invents the portable hole, only to have a thief steal his samples to go on a crime spree.
Sylvester Cat intrudes on Speedy Gonzales' Cinco De Mayo celebration, starting a chase that ends in disaster.
A very good looking Jack is always on the hunt for hook-ups until he meets his match with physical challenges.
Rosemary House's first film, shot in her backyard, addresses "sex, death and crazy women" in 11 minutes.
It is the end of a meal. Eight people are gathered around a big table. They evoke the memory of a lost friend. Through the stories of each about the absentee, the character traits, the haabits or the expressions, a portrait in hollow is outlined.
Ilona, the bored wife of an easily distracted professor, falls in love with his friend Tibor, a world-traveler and ladykiller. Although she pursues him, he declines to take advantage of the situation, because she's married to his best friend. Only after her husband shows an interest in a co-worker is it possible for a happy ending to take place for the two new couples.
A man wants his girlfriend to have a sexual relationship with another girl, just one time.
A Saturday afternoon piano recital becomes a battlefield as a girl and her brother strive to become "real" musicians.
Hoodie wants to put an end to vigilantism, but the sheeple, manipulated by a slimy Salesman, are about to give a monkey a gun.
A retired army officer with exceptional marksmanship becomes an assassin for a crime lord, but things go awry when an old comrade is targeted.
Nick Venere has never been married and his best dating years are well behind him. He’s never heard the words "I love you” and figures he never will. Patty Amore has her share of problems, as well. Shy and introverted, she’s filled with various tics and nervous habits. A secret from her past, combined with her over-protective father, have caused her to withdraw from the dating game. But when Nick and Patty meet, literally bumping into one another, they share an immediate connection.
Two older-generation taxi drivers get involved with chicks from a rock-n-roll coffeehouse.
THE BOY WHO COULDN’T SLEEP AND NEVER HAD TO is a coming-of-age sci-fi adventure in the tradition of “Back To The Future,” with classic teen-movie themes like friendship, first love, and betrayal playing out on a superhuman scale. Darren, a high school outcast whose only refuge is his homemade comic book, gets launched into an adventure way cooler than anything he could dream up when he discovers his best friend has no biological need for sleep and can bring their dreams into reality. Composed of equal parts action, humour, and heart, this story of a comic book fan who finds himself in a real-life superhero movie will make audiences believe that anything is possible.
What's left for an actor who thinks he has done it all? Simon is convinced that he has played every possible character and no roles can challenge him anymore. He's grown bored of acting, but there is one thing that still gets him: The question of how to perfection the role of a dead person. Since no one has ever truly experienced that state and came back to tell the tale, it poses a difficult task. Simon's quest is to accomplish just that.
Arthur comically pursues Betty much to her brother Vincent's displeasure.
Both Joey and Mike are faced with breaking boundaries that previously limited them. There's a first time for everything.