Jam Session

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

This film by director Ramon Tort documents a unique moment in the life and career of Andrea Motis: the months preceding the recording of her first album in New York as well as what followed. A time filled with changes and emotions; from leaving her parents’ home for the first time and start living by herself to embarking in a world tour that would take her to places like Japan, United States, Asia and Europe. A crucial time in a young woman's life, who is about to make the big leap…, but is she interested in success or fame? Andrea is not a conventional artist. She lives in the moment, enjoying the small things in life, every day in the most simplest way possible… An entire magical process that can only be understood through her music.

When you experience The Work of Director Spike Jonze, you enter a world where anything can happen and frequently does. From the innovative director of Being John Malkovich and Adaptation., this superior compilation of music videos, documentaries, interviews, and early rarities offers abundant proof that Jonze is the real deal--a filmmaker ablaze with fresh ideas and fresh ways of filming them. Featuring The Beastie Boys, Bjork, Weezer, The Pharcyde, Fatboy Slim and many others.

John Zorn: alto sax, vocals Bill Frisell: guitar Wayne Horvitz: keyboards, piano Fred Frith: bass Joey Baron: drums

LIVE IN EUROPE 1969 lives up to the Miles Davis Bootleg Series mission of presenting live performances that are previously unreleased, have previously only been bootlegged, or are very rare. This new set is the first collection of Miles's Third Great Quintet, the "Lost" Band of 1968-1970 with Miles Davis, Wayne Shorter, Chick Corea, Dave Holland, and Jack DeJohnette at their peak (they were never recorded in the studio). The album captures the short-lived quintet in three separate concert settings, starting with two full-length (one hour-plus) sets at the Antibes Jazz Festival in France, in Stockholm as part of "The Newport Jazz Festival In Europe," and completed with a stunning 46-minute performance at the Berlin Philharmonie, filmed in color. Recorded 11/7/69 at Berliner Jazztage in the Berlin Philharmonie 1. Introduction by John O Brien-Docker 2. Directions 3. Bitches Brew 4. It s About That Time 5. I Fall In Love Too Easily 6. Sanctuary 7. The Theme

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.

Nightmare Paint

KABELMANN

While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.

Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly jam sessions into a father-daughter live act. After their first song becomes an internet breakout, the two embark on a journey of love, growing up and musical discovery.

The Sadies Stop and Start captures a moment in time. That time was uncertain and dark. Still reeling from losing Dallas, we found out that Mike needed to have emergency wrist surgery. We needed to play these songs, not knowing if we would ever have the opportunity again. With one day's notice, documentary filmmaker Ron Mann and a stellar crew pulled together to help us capture these songs. Friends and family gathered to help out and show their support. James McKenty engineered in his mobile recording trailer, In Record Time Studio. The resulting film looked and sounded better than we could have hoped. We are thankful to share that Mike's surgery was successful and we are back out on the road and coming to a city near you.

Stories and music of Black artists who relied on an underground travel guide to navigate the injustices of racial segregation while on the road. The Negro Travelers’ Green Book was a directory of lodgings, restaurants, and entertainment venues where African Americans were welcomed. Features performances and interviews with vocalists, musicians, activists, historians, and others.

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.

On an ordinary street, an extraordinary face-off unfolds between two kids armed only with their music. Signatune is a rhythmic standoff where style, confidence, and sound collide in the most unexpected way.

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

On the eve of graduation, a high school student finds herself dealing with both college applications and an unfaithful boyfriend.