The Dirt on Soap

Vengeance manquée

Savons, attention terrain glissant

Harold has been given a bag of dirt, and he needs to get rid of it immediately.

When the testimony of a crippled child sends a murder suspect to prison, a friend of the accused sets out to investigate the crime on his own.

The Painter

Teun works at Efteling theme park and is assigned to take care of Jamie, the daughter of park director Indra. When security guard Cor is attacked one night by a ghost with a flaming sword, Teun and Jamie become embroiled in a mystery. Who or what is this ghost, and what is it doing at Efteling?

牧童和公主

会摇尾巴的狼

Follows Rags the little mummy and his bestie dragon Tickles on a sleuthing mission looking for the yummies Halloween treats in the world.

1988 Kannada devotional drama film starring Ananth Nag and Saritha, directed by Anil Baindur, about a man who loses faith after his devotee father's death and later rediscovers it through Lord Venkateshwara's blessings, featuring music by M.S. Vishwanathan

A vintage nature film exploring the migratory pattern of a herd of wild creatures.

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

MUM

Tante Emma

Every Child Matters: Reconciliation Through Education is a powerful 90-minute special created by the National Centre for Truth and Reconciliation (NCTR) produced in collaboration with Insight Productions and supported by Canadian Heritage. The special, airing on APTN and CBC, honours Residential School Survivors and their families through storytelling and performance by Youth, Leaders, Knowledge Keepers, and Elders from a diverse group of Indigenous Nations, communities, and cultures.

A little story from a blue-collar neighborhood. Lina, a middle-aged lady who never leaves the balcony of her house, intervenes in everything that happens within her visual field. People passing by in front of her building, neighbors from the apartments across the street, everyone realize that whatever they do, Lina is watching day and night and intervenes: From throwing a bandage from her balcony when an accident takes place to giving parking advice or notifying the police for a burglary. Some are surprised by her attitude, but most are annoyed by her constant gaze on them. Until Lina loses her son in a car accident and does not go out to her balcony ever since. The neighborhood is not the same anymore.

While on their quest to stop the Demon King, the violinist Hamel, the pianist Raiel, the magess Flute and the female warrior Sizer stop in a small kingdom and destroy a rampaging monster. While giving the four a heroes' welcome, the king and queen explain that their daughter has been kidnapped by a monster living in a nearby castle. They agree to go and rescue the hostage princess and defeat the monster. However, the enemy's castle is heavily guarded...

An animation work that expresses people who support their lives as Kuroko, otherwise known as stagehands.

Anti-war movie in the true sense of the word, searching for possibilities for peace in the most unlikely place of an online war game. It’s a tribute to disobedience and desertion — in both digital and physical-real warfare. Shot in the picturesque war landscapes of «Battlefield V», the hyperreal graphics become the backdrop for an essay-like narrative. The film revolves around the history of deserters — a part of human history, which has hardly been illuminated. Performances and creative interventions explore the scopes and limits of the audiovisual entertainment machine.