Yeah You Rite!

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse:Semantics is the study of meaning in language, and Bernstein's third lecture, "musical semantics", accordingly, is Bernstein's first attempt to explain meaning in music. Although Bernstein defines musical semantics as "meaning, both musical and extramusical" this lecture focuses exclusively on the "musical" version of meaning.

Linguist Indrek Park has been working with Native American languages for over ten years. The film sees him recording the language of the Mandan tribe, who live in the prairies of North Dakota, on the banks of the Missouri River. The job involves a lot of responsibility, and he is running out of time – his language guide, the 84-year-old Edwin Benson, is the last native speaker of Mandan.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"

A contemporary portrait of a small Louisiana town created at the site of the world’s largest lumber mill. Captured here in its last days after thirty years, Miss Dixie Gallaspy conducts a charm school for girls in order to teach the young women of Bogalusa the social graces and skills that would guide them into “Ladyhood”. Dixie’s week long school, in a town confronted with many challenges (including a legacy of racial conflict and financial dissipation) preserves fragments of a world that may already be lost.

German cultural documentary about the development of Jazz in New Orleans. Contains interviews with several musicians.

The film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.

For 170 years, a Native American community has occupied Isle de Jean Charles, a tiny island deep in the bayous of Louisiana. They have fished, hunted, and lived off the land. Now the land that has sustained them for generations is vanishing before their eyes. Coastal erosion, sea level rise, and increasing storms are overwhelming the island. Over the last fifty years, Isle de Jean Charles has been gradually shrinking, and it is now almost gone. For these Biloxi-Chitimacha-Choctaw Indians, their land is more than simply a place to live. It is the epicenter of their people and traditions. They now must prepare to say goodbye to the place, where, for eight generations, their ancestors cultivated a unique part of Louisiana culture.

We all have a dream... Nelson's dream is to learn how to read. He works at a traffic light in Maputo selling car products to people who stop. Every week a teacher joins him and all the others like him to teach them. With the hope of learning, Nelson never misses a class. It is with the hope of better days that Nelson lives.

CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.

This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

The Naked Dance is the first documentary about America's legendary legal red-light district that thrived in New Orleans from 1898 until World War I. Storyville got its name when Alderman Sidney Story attempted to clear up the New Orleans waterfront by restricting prostitution to a specific neighborhood. To his chagrin, the area was dubbed "Storyville," and it was so known until the U.S. Navy closed it for good in 1917.

The collaboration between the Tanacross and Northway, Alaska communities and trained linguistic specialists from the Alaska Native Language Center to keep their native language from disappearing. And the continuation of the tangential community effort of preserving their language and culture by teaching and using them at home and in schools and in their lives.

Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.

Harmful chemicals are disproportionately affecting Black communities in Southern Louisiana along the Mississippi River. I am One of the People is an experimental short film exposing the environmental racism of “Cancer Alley.”

About Daniel Lanois, the Canadian musician and producer, during one of his most productive years in life, living and recording in New Orleans, LA. Daniel Lanois was born in Hull, Quebec. Sept. 19, 1951. His family moved to Hamilton, Ont. in 1963. In 1974 he and his brother Bob built and operated the Grant Avenue Studio, where he produced records by acts such as Martha and the Muffins, Parachute Club, Raffi, and Ian Tyson. In 1989 he released his first solo album, "Acadie". He also produced "Oh Mercy" by Bob Dylan and "Yellow Moon" by The Neville Bros. during the same year.

HBO Documentary Films Presents the story of the effort to save the 895th surviving oiled pelican in Louisiana, showing how conservationists, government agencies and wildlife activists joined forces to preserve this one life.