Private Snafu Presents Seaman Tarfu in the Navy

Scrappy does not want to get up and go to school. As the days peel off his calendar, the holidays come to life, personified. Father Time takes Scrappy on a tour through Holiday Land.

The doltish but self-confident and self-congratulatory Private Snafu is in possession of a military secret during World War II. Over the course of the day, spouting rhymed couplets, he divulges the secret a little at a time to listening Axis spies. He tells his mom some of the secret when he calls her from a phone booth; the rest he spills to a dolly dolly spy who plies him with liquor. Snafu's loose lips put himself at risk.

Big Bad Wolf and his nephew create a club for rabbits, Club del Conejo, to try to catch Bugs Bunny.

The surprising story of the love between the pink river dolphin and the young daughter of a fisherman. On the banks of the Amazon rivers, tales are told of a mysterious young man who appears at night during festivities and dances to win the hearts of young women.

A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.

Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.

This is the story about a boy not like the others that dreams about finding his place in the world.

A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.

A classic about an anteater who makes life rough for a colony of ants. In the ant community, the queen spreads warnings of their greatest enemy, the Anteater. "He's a menace, he's a brute, he will scoop you with his snoot." Their motto is "make him yell uncle," which they do when the anteater invades them.

The passion for high speed can nowadays almost be seen in the new-born. The film shows that such passion, if not controlled, is self-destructing and even suicidal. At least this is the way Trnka presents it in this satiric story. —kratkyfilm.cz

Superman's pal Jimmy Olsen gets his own story. Boy meets girl. Boy loses girl. Boy meets boy!

A young caterpillar yearns to fly like the butterflies and birds, but cannot launch himself high enough to do so ... until a couple start playing badminton nearby.

In a return to the Out of the Inkwell format, Betty Boop invents a pep formula to speed up lazy Pudgy, but it escapes into the real world with rapid results.

Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle while Mickey dances. After lunch, the train has trouble climbing a hill, and the last car with Minnie aboard detaches and runs away.

Mickey, Goofy & Donald have 10 minutes to fix Pete's car. Or else!

5 Meters 80 really is an absurd movie. Yet, no matter how ridiculous, Nicolas Deveaux managed to make it look so realistic that it’s as if giraffes jumping off the high dive are the most natural thing in the world. And that’s what makes it amazing.

One of Oskar Fischinger's earliest films, Seelische Konstruktionen (as it is known in German), clearly points the way to the masterpieces of musically-blended experimental animation he would conceive in the decades to come. The sense of masterful timing and rhythm, the easy and natural -- though patently Fischinger-esque -- character traits of the subjects, and the smooth precision of both line and movement are all present already. Unique is the black-silhouetted, semi-cartoon characters (not nearly as rigidly self-contained as Lotte Reiniger's cut-out forms) which seem to adhere to no physical limitations whatsoever. Morphing into shapes, structures, objects, patterns, and even one another, as though they were made of pure mercury and set to music. As for the "story", it's rather non-sensical, and certainly silly, but also has a slightly dark and devious tinge to it as well; men becoming monsters, uncontrollable shape-shifting and the constant, almost desperate movement.

This fascinating series features Max himself, filmed in live action, sitting at a drawing board and concocting adventures for his star performer Ko-Ko the Clown. Max is supposedly the guy in charge, and he takes sadistic glee in putting Ko-Ko through various forms of hell, but the clown usually fights back and sometimes gets the best of his Uncle Max. FADEAWAY elevates this charged relationship to new heights (or depths?) of nightmarish surrealism; it's also one of the most enjoyable Inkwell cartoons I've seen to date, packing lots of imaginative, unpredictable twists and turns into an eight minute running time.

Four customers are having a peaceful game of cards in a quiet café. The atmosphere being heavy, the waiter falls asleep and has an unsettling dream about the ills of alcohol, among other things.

Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.