Höllenleben: Eine multiple Persönlichkeit auf Spurensuche

"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."

Founded in 1966 in California by a former organist and lion tamer named Anton Szandor LaVey, the Church of Satan has often been surrounded by mysteries, scandals and moral panics. An immersive journey into one the most fascinating phenomena of American religious pluralism.

Murder, rape, satanism and necrophilia is the staple diet of millions of teenagers who listen to the lyrics of extreme heavy metal music. This World investigates the potential links between "death metal" and a series of gruesome crimes around the world. In Italy a group of young death metal fans formed a satanic cult called the Beasts of Satan. At least four gruesome killings resulted. But death metal musicians deny that they have any responsibility for the actions of people who profess to be their fans. With exclusive access to the families, one of the killers and graphic police footage, the film tells the inside story for the first time. We hear from the musicians, the children and the parents from Oslo to California and ask just how far can music go in its ability to shock, and just how damaging might it be?

Realizing the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.

In 1989, I met Anton LaVey for the first time. At this time in his life, LaVey was seeing only a select few people. For this film, I've met and interviewed some of them, to try and create a composite image of what he was really like, and what he meant to these people. It's a memory lane trip, filled with personal stories, dark humor, great music and never before seen material with the Black Pope himself.

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.

Evangelist Bob Larson sits down with Zeena and Nickolas and tries to talk some good old fashioned religion into 'em, but they'll have none of it.

Spooky tale of a lawyer who sees Satan in the Swiss au pair she and her artist husband have hired for their young daughter.

Within the grim walls of Fallbridge College for Girls is Elizabeth Sayers, a new student who, under an assumed name, hopes to learn the truth behind her younger sister's apparent suicide. Our heroine soon learns that the school is in the clutches of a coven of witches called 'The Five' — and that she herself has the right satanic qualities to enable The Five to take over the world!

The film is a study of Anton Szandor LaVey, leader of a cult of devil worshipers in San Francisco. He and his Church of Satan are shown performing a black mass, in which a nude woman serves as an altar and a boa constrictor wraps itself around a naked witch. Newsreel footage is included in which LaVey's neighbors are interviewed about the lion which he kept in his house until complaints resulted in the animal's removal to a zoo. The ideology of the Church of Satan is discussed--guilt rejection, sexual freedom, and self-indulgence.

"Satanism Unmasked" investigates the supernatural influence Satanism, witchcraft, and Dungeons & Dragons.

Cute and seemingly innocent toys are opening your home to the occult. Witchcraft may well have gained an inroad into your family.

Coins with Lucifer. Letters from a satanic cult, founded in the spring of 1973 on the Danish island of Anholt. Disturbing objects begin to appear in churches. Among priests, gravediggers, and church servants anxiety begins to spread.

A mind-blowing, eye-popping documentary that reveals how satanic forces are using Hollywood's most memorable movies and most popular actors to propagate an ancient lie in fulfillment of biblical prophecy. Learn how these movies are initiating the masses into a Gnostic worldview that will culminate in a "strong delusion" as the world joins Satan and the final Antichrist in their war on God.

Documentary about a house of witchcraft in Buenos Aires

An experiential portrait depicting Satanists in both the everyday and in the extraordinary as they fight to preserve their lifestyle: magic, mystery, and misanthropy.

An epidemic of ritual abuse of children from infants to teenagers is sweeping through the country. According to recent TV and radio broadcasts 2 million children a year are reported missing, many too young to be runaways and 5 thousand unidentifiable bodies of children are found each year in the US alone. "Devil Worship: The Rise of Satanism" takes you behind the scenes into actual black witchcraft and satanic rituals. Former Satanists, practicing witches and law enforcement experts explain the vastness and diversity of the movement. Experts tell why people join and how Satanists recruit their members as well as their victims. Parents are given clues to determine if their children are involved. Most importantly, dangerous doorways into the occult are exposed.

But what is the Church of Satan? Who is Anton LaVey? Where is he from? Why does he do that? It does not take much to imagine the worst. Orgiastic ceremonies, where one revels in the blood of virgins, moonlight lamb sacrifices, noise concerts in the basement of a historical building… No, really nothing that amusing among the activities in the Church of Satan. Anton LaVey is nothing like a horned Charles Manson, and his path is all the more unexpected. Nick Bougas allows us to discover the artist, the musician, the philosopher, all through hallucinatory images retrieved from archives, making this rare documentary only two years before the author of the Satanic Bible disappeared.

Based on their book, “Why Knock Rock?”, and their church lectures, Dan and Steve Peters examines how rock music's obsession with sex, drugs and suicide is dangerous to young people. Since the dawn of Rock and Roll, there has been ministers howling about its evil affects. Ministers would tour the country's churches and college campuses with sermons and slide shows illustrating the Devil's influence on the rock music. In this film we certainly see that rock stars aren't the best role models for kids and teens, but the Peters brothers often miss the musician's point – especially with some of the lyrics. Dan and Steve do however seem to take a delight in presenting some of the 1980s more perverse album covers to young people.

In different times and spaces, genres like Death Metal are born. The early 90′s were still full of the 80′s vibe of over-consumption & greed, which found it’s way into everyday life, even into the music that was created. Just like hardcore in the early 80′s, not all of the teenagers of this decade wanted to hear the bubblegum pop that had invaded the airwaves. Death Metal did not want to be digested by the masses, and as a sub culture it was totally happy being the outsider. I’m not sure what was in the water in Florida during the late 80′s, because those kids were on some next shit, and they helped push the genre to other heights. When you are living in a certain period of time, you do realize that the life you are living could become historic to others in the future.