The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
With revolutionary Mexico as a backdrop, a successful local rancher returns triumphant from the war to the praise of townsfolk, and "El General" is ready to take a wife. However the senorita of choice already has fallen for a secret admirer, and a boyhood rival who is threatened by the General's popularity in turn plots against his life.
Killing Grandpa
Four cousins inherit a rich uncle. In order to do this, however, they must first fulfill the terms that each uncle has laid down in his covenant.
Ragtag crew of indigents from an asylum for the handicapped form a squadron to defend the Church during the Cristero Uprising.
During the Mexican Revolution, Leandro and Odón, two war vultures, find a zebra. They mistakenly believe this to be an American horse and thus begin a journey in search of General Obregón, who they assume, will appoint them as colonels given their peculiar beast of burden. They partake in several adventures during their journey.
Reyes Mendoza (Carmen Sevilla) is a Spanish artist who arrives in Mexico in 1913 and finds herself involved in the Pancho Villa (Jose Elias Moreno) revolution.
A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.
In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.
A story about two men caught in the Mexican revolution: close friends before, but now on the opposite sides. One of them is military officer, while the other one expects capital punishment. The prisoner's mother comes to visit his son, unaware that his former best friend is now his enemy.
Tita is passionately in love with Pedro, but her controlling mother forbids her from marrying him. When Pedro marries her sister, Tita throws herself into her cooking and discovers she can transfer her emotions through the food she prepares, infecting all who eat it with her intense heartbreak.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.
The film portraits the stage previous to the outbreak of the Mexican Revolution, from the end of Porfirio Díaz´ government, the social volatility, the ephemeral government of Madero and the presence of the working class in the figures of Villa and Zapata, until the signing if the Constitution of 1917. All of this through moving images, filmed during those events mainly by the Alva brothers, filmmakers of that time. Those images let us perceive the contradictory and shuddered glance of the people of that period.
After her husband leaves during the Mexican Revolution, Ana finds comfort in Rosa with whom she shares many aspects of her life.
In 1916, during the Mexican Revolution, General Pancho Villa manages to escape from the clutches of General Goyo, his greatest enemy, only to face an even greater problem when he meets McDermott, a mysterious adventurer who promises to get him weapons and ammunition for his troops.
Pulled into the Mexican Revolution by his own greed, Texas gunrunner and pilot Lee Arnold joins bandit-turned-patriot Pancho Villa and his band of dedicated men in a march across Mexico battling the Colorados and stealing women's hearts as they go. But each has a nemesis among his friends: Arnold is tormented by Fierro, Villa's right-hand-man; and Villa must face possible betrayal by his own president's naiveté
The ruthless and cruel Captain Ramirez hunts down and kills revolutionaries in his search for The Saint, the righteous leader of the Mexican insurrection against the Federales.
American arms dealer Kennedy hopes to make a killing by selling to the "regulares" in the 1916 Mexican revolution. American mercenary Wilson favors the rebel faction headed by Escobar, and they plot to hijack Kennedy's arms; but Wilson also has his eye on Kennedy's wife. Raids, counter-raids, and escapes follow in a veritable hail of bullets.
During the Mexican Revolution, a hardened and rich lady landowner is overtaken by the violence of the times. Losing her land and house, she falls in love with a revolutionary leader that is killed by a sadistic and corrupt federal officer. She takes the revolutionary flag and leads a rampage of violence and destruction.