Report from the Front

In 1946, just after the end of World War II, a secret organization of Holocaust survivors plans a terrible revenge: since the Nazis have killed millions of Jews, they will kill millions of Germans.

Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).

An Oscar-nominated film with no narration showing the Exploratorium (The Palace of Arts and Science) in San Francisco. It shows many of the exhibits and the reaction of visitors to many of these. Preserved by the Academy Film Archive.

Three young ladies perform yoga without clothes in the open air of Cyprus. Another does the same in a studio. These visuals are interspersed with images of Eastern art, processed for "psychedelic" effect. The narrator relates the practice of yoga to Buddhist philosophy. Preserved by the Academy Film Archive in partnership with British Film Institute in 2012.

Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

Documenting the maiden voyage of the SS Hope, a hospital ship operated by Project HOPE, where it brought medical care to Indonesia and South Vietnam in 1960-1961.

An atmospheric tribute to the genius of Welsh poet and dramatist Dylan Thomas, using many of the windswept locations where Thomas himself grew up and found his inspiration. The film is hosted/presented by Richard Burton, Thomas's friend, who narrates the story and appears from time to time amidst the Welsh landscape. Burton had already appeared in Douglas Cleverdon's acclaimed BBC radio dramatization of Thomas's 'play for voices' Under Milk Wood in the 1950s and, in the early Seventies, would appear in director Andrew Sinclair's film version as First Voice. Preserved by the Academy Film Archive in partnership with The Film Foundation and National Screen and Sound Archive of Wales in 2000.

While at his workshop in Puerto Rico, Pablo Casals prepares to conduct a Bach suite for a concert performance. Oscar Winner for the category "Best Short Subject, Live Action Subjects". Preserved by the Academy Film Archive in 2013.

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

This film examines the reasons why the United States decided to engage in the Korean War. Scenes describe Russia's attempt to gain power following World War II (Korea included), and its refusal to allow free elections in the country. Footage shows Soviet-backed North Korean troops' movement into South Korea on June 25, 1950, the United Nations' response, and the armed struggle against both North Korean and later Chinese troops led by General Douglas MacArthur. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2005.

Won the Academy Award for the Best Documentary Short of 1954. The subject deals with the children at The Royal School for the Deaf in Margate, Kent. The hearing-handicapped children are shown painstakingly learning what words are through exercises and games, practicing lip-reading and finally speech. Richard Burton's calm and sometimes-poetic narration adds to the heartwarming cheerfulness and courage of the children. Preserved by the Academy Film Archive in partnership with British Film Institute in 2005.

Impressionistic picture of the Third Avenue Elevated Railway in Manhattan, New York City, before it was demolished. Preserved by the Academy Film Archive in 2010.

Documentary short about the American Civil War. Preserved by the Academy Film Archive in 2005.

T Is for Tumbleweed is a 1958 English-language short film directed by Louis Clyde Stoumen, starring Anne Lockhart. It features some tumbleweed that moves through a small town in the desert and interacts with people and animals. Preserved by the Academy Film Archive in 2013.

During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

Seven Decades after the bloody battle for Omaha Beach in Normandy, France on D-Day, many veterans are returning to visit one last time. Omaha Beach: Honor And Sacrifice tells the very personal stories of several veterans as they return to Omaha Beach and the celebration that Normandy, France holds in their honor every year.

On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).

French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.