The Celestial City

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.

After the comedy of the same name of Mirza Fatali Akhundov.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

Don Carlos, heir to the Spanish throne, and Princess Elisabeth of Valois are deeply in love but King Philip, Carlos's father, wants Elisabeth for himself.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

Two sailors who are always competing against each other set their sights on the same girl. When she chooses one over the other, their friendship ends acrimoniously. However, things change when one the men is in a submarine trapped beneath the ocean and the other, a diver, is sent down on a rescue mission.

It is the year 1915, and five Finnish men ski to Sweden via the Gulf of Bothnia to get military training in Germany. Among the men are Martti and Kalpa from the 27th Army Ranger Battalion. In the reserve, the troops spend their free time in a café called the Golden Anchor, owned by Sonja Strand. Sonja's captain serves in the Russian army, and Sonja has a relationship with Baron von Lichtenstein, who exploits Sonja who spies on Russia using Jew Isaac as her messenger.

A quack doctor 'cures' a victim of venereal disease, whose baby is later born infected.

Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)

Purity, a simple country girl, comes to the city and is hired as an artist's model. A young poet becomes obsessed with her, and is distraught when he learns she has been posing nude. But his distress is diminished when he finds that she intends to use her income from modelling to publish his poetry.

In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)

Jimmy and May, young lovers, run away from their dreary farm lives to live in the city, though they don't marry. Soon Jimmy finds things aren't working out and has little ambition to work or affection for May left. In desperation he sells May into the hands of a pimp and a madam in a brothel. They don't meet again until, wounded while running from the police, he runs into a hospital ward where she's being treated for the ravages of social diseases she's accrued in the course of her degradation.

The film was created as a compilation of footage that was, in some cases, nearly fifteen years old, and included stock footage such as medical reels containing footage of venereal diseases and films depicting white slavery. The basic plot was a cautionary tale about a young woman's journey into prostitution and white slavery, but, like the other films of the era, the plot was secondary to the sexual content. Many of the presentations were introduced at the front door, with live nude women in glass booths at the entrances. Inside, the films were usually accompanied by a medical slideshow about venereal disease and a lecture from an alleged sexual education specialist. This was a typical presentation template for the time, and set an example for later exploiters. (Wikipedia)

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

This 1919 silent is the first American film based on the same Sholem Aleichem stories as Fiddler on the Roof, but produced 50 years before the blockbuster musical. Unlike most adaptations of Aleichem’s work, Broken Barriers (Khavah) focuses not on Tevye the milkman, but on his daughter Khavah, who falls in love with the gentile boy Fedka and must navigate the reverberations from this with both her community and her family.