Timmy's Wish

Two words: Unicorn. Physician

A former witch loses her son while shopping. Knowing evil forces are still lurking, she frantically searches for him, but comes across a discovery.

will be added later

Douglas and Business Cat find a baby that ruins their business.

Bob and Rocket Dog's misadventures.

Washed up space adventurer and sidekick crash land on a planet of dicks.

The Internet is haunted at Morningwood Road, they must appease the ghost before she makes a meme of them all.

In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening. But unknown to them, a killer is on the loose - and in the building with them.

A 40-year-old middle-class man who loves his domotics to toe the line will figure out, because of a water drop, that things you own end up owning you.

The Dead Man returns, but it's too late to save us. We are already dead.

Adults have the Pike and Coney Island amusement parks, so the rascals put up their own rides in a large vacant lot. Mickey's got big plans for expansion when surveyors show up to begin work on a factory. The gang travels by donkey cart to the office of Henry Mills, President of Pan American Export Company, to protest. Henry, in his 60s, is still a boy at heart: he has his chauffeur stop the car so he can join a sandlot game. He bails on a meeting with his board of directors, going with the kids to the factory site where he stops the workers and helps our gang add more rides. The directors follow him, and they get put to work. Will they ever have their meeting?

Over the course of five minutes, two friends in a desolate cabin discuss everything from the origins of everyday sayings to their favorite movie villains. But all is not as it seems...

A short dance film in Pathécolor, also know as stencil colouring. The editing cuts correspond with the dancers' costume changes. More about stencil colouring at http://zauberklang.ch/filmcolors/timeline-entry/1218/.

This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly

1895 is a picture about the life of brothers Auguste and Louis Lumiere, who have immortalized their names as inventors of cinematography. What inspired them?

An American pilot in the war falls asleep in his plane. His dream mixes up with reality.

Young kids face off in a dance competition.

17-year-old Arend lives with his parents and hasn't come out of the closet yet. His first step into the gay world of love is on a date with handsome Michael, a guy he met on a gay dating site. They arrange to meet and Arend ventures to the other side of the country only to discover that Michael is not quite what he imagined.

Diego the bicyclist waits to check into the PGI hotel, where each room's inhabitant seems more bizarre than the last, and the rabbits on the top floor have discovered the secret of voodoo, using electronics and carrots. Can the rare and unpredictable night of the carrots save everyone, or will their connections to the room's electrical sockets restrain them too much? Will Diego find love with an egg that speaks incessantly in German? Will the cellist, who is actually a room full of a gelatinous substance, affected in some way by buttons labeled K, G, and B, have dreams that explain everything? Or will the audience just leave scratching their heads? Not all questions get answered.

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)