Killing Words

An average, happy, hard-working man's life takes a turn for the horrific after he kills a mugger and discovers he's now addicted to killing.

A fog-shrouded house provides the setting for a weekend party prank gone wrong and the resulting murder being blamed on an innocent man.

Kylie Winters, a bullied and self-loathing teen, reluctantly agrees to babysit at an isolated country mansion on Halloween night. When a small boy in a pig mask appears at the door trick-or-treating, Kylie's night transforms into a horrifying and violent cat-and-mouse game. She must go beyond what she ever thought possible if she and the children are to survive the night.

In 1846, Anthony Hope sails into London with the mysterious Sweeney Todd, a once-naive barber whose life and marriage was uprooted by a corrupt justice system. Todd confides in Nellie Lovett, the owner of a local meat pie shop, and the two become partners, as Todd swears revenge on those that have wronged him and decides to take up his old profession.

An abstract crime thriller set against the backdrop of a brutalist villa. Six characters, the set, the music, the foley, the special effects, the narrator and the author battle one another for control of the film as it unfolds on screen. The film explores the relationships between these characters as they emerge and unfold: grappling, wrestling, and dreaming with one another. The film's production elements were produced - employing the character-driven improvisational score The Tiger's Mind, by Cornelius Cardew - by Alex Waterman as Tree (foley), Jesse Ash as Wind (special effects), John Tilbury as Mind (soundtrack), Celine Condorelli as Tiger (props), Will Holder as Amy (narrator) and Beatrice Gibson as the Circle (author).

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

A woman just out of prison gets a job in a nursing home and tries, unsuccessfully, to put her life back together.

The parents of five sisters have been married for forty years; the daughters have gathered in the family beach house to make a video for them. The encounter is marked by many confrontations as well as cheerful moments. Reminiscent of the sweet children's poems that mother recited are countered by Elsschot's Marriage: 'He thought: I'll kill her and set light to the house...' It also turns out that father had once disappeared for eighteen months, a 'secret' that the daughters have different ideas about. Brittle, an intimate film version of a play written and performed by the same actresses, is about rivalry in a family, the right to silence, but also about the need for solidarity. At the Netherlands Film Festival in 1997 the Golden Calf for Best Actress was awarded to the five actresses together.

On his first foray out onto London's thriving gay scene, newly single Adam meets Rocky, a handsome and mysterious drifter, with whom he shares an instant and undeniable chemistry. From the outset, Rocky is eager to reveal more of himself than Adam is ready for, and so the two maintain an uncomfortable pact of silence. As the pair grow closer, something has to give, and the truth about Rocky is explosively revealed. As the dust settles, the men are left to decide whether they can find acceptance in each other, by facing the truth about themselves.

An anthology of three erotic stories. In the first story ("Pink Encounter"), a salesman is unable to control his libido as a customer takes off all her clothes to test out a bathtub for sale. The second story ("House For Rent") features two couples who are sexually unsatisfied until they get the idea to swap partners. In the final story (no English title), a woman kills her rich husband then enters a steamy affair with the policewoman investigating the crime.

In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.

El secreto de la abuela

Nandagopal, an associate editor with Keralareshmi, one of the leading dailies, is aggressive and daring and enjoys a good reputation among the media circle. Born and brought up in Mumbai, Nandan is the son of Venugopal, a daring journalist who was killed by textile mafia long back. Nandan, in Kochi meets Sekharan, an old naxalite who is running Jagratha, a newspaper which is feared by political class. Sekharan's outspoken and belligerent nature had earned him more enemies than friends. He is constantly fighting Vishwathan, who rules Kochi with his muscle and money. Vishwanathan holds a large share in Keralareshmi and enjoys a huge political clout at state and central levels. Shekharan brings out the role of Vishwanathan in the murder of Vincent Paul, which creates a panic in the political level.

In 1931, just before the New Year, in a house of architect Henryk Zaremba scream rips the night. The daughter of Zaremba is found killed in her bedroom, obviously killed with a pickaxe. The police arrives and starts the investigation. Rita Gorgonova, the governess of the girl and also lover of Zaremba becomes the main suspect. Film based on real events - investigation and court trials of the most famous pre-war Polish murder case. Despite being historically accurate the movie is both involving and entertaining since the case was simple on the surface, but very complicated in details.

At a Colorado ski resort, a jealous man's paranoia results in murder.

Five men end up in fatal confrontations with their past, as their victims decide to take the law into their own hands in this low budget action comedy.

Amiko, a high school girl, adores Aomi to the point of nearly worshipping him. But one day, he runs away from home. Amiko's sometimes cynical, sometimes self-deprecating inner monologue goes off like vibrant stand-up comedy.

A malevolent old house is pervaded by evil spirits who inflict harm upon the occupants. Their latest victim is a woman who is overcome with hatred for her family.

Eskandar, who was formerly the personal driver of “Hoveyda”-prime minister of Pahlavi regime- Claims of knowing a secret of Hovayda; but no one has taken his word seriously. Untill the day he meets Amir Vaziri and tells him about his secret that in addition collection of canes and pipes, Hoveyda has a collection of “paykans”; and once he predicted the upcoming political turmoil in the country hide a very valuable thing in the rear seat of one of twelve Paykans! So Amir and Eskandar begin the search for the hidden item that they don’t know what exactly is.

Seoul, South Korea, 1997. When the young but extremely anxious student Jin-seok, his parents and his successful older brother Yoo-seok move to a new home, mysterious and frightening events begin to happen around them, unexplained events that threaten to ruin their seemingly happy lives. Unable to understand what is happening, Jin-seok wonders if he is losing his mind.