Luisa Sanfelice

A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genoa changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.

A successful businessman goes to Italy to arrange for the return of his tycoon-father's body only to discover dad died with his mistress of long standing.

An aspiring young writer tracks a literary titan suffering from writers block to his refuge in rural Italy and learns about life and love from the irascible genius and his daughters.

Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

Vendetta II: The New Mafia

Italy, early '90s. Calm, clever and inscrutable, politician Giulio Andreotti has been synonymous with power for decades. He has survived everything: electoral battles, terrorist massacres, loss of friends, slanderous accusations; but now certain repentant mobsters implicate him in the crimes of Cosa Nostra.

Two childhood paranormal incidents have convinced schoolteacher Faith Corvatch that her true love is a guy named "Damon Bradley," but she has yet to meet him. Preparing to marry podiatrist Dwayne in 10 days, Faith receives a phone call from Dwayne's old classmate named Damon Bradley who is on his way to Venice. Faith tries to catch him at the airport but just misses him so she impulsively decides to fly to Venice hoping to finally encounter the man of her dreams; accompanying her on the trip is her sister-in-law and childhood best friend, Kate, who has just left her husband, Faith's brother Larry.

Both a journalist and a documentary filmmaker chase the story of a murder and its prime suspect.

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

Sehnsucht nach Rimini

A New York radio personality travels to the small town of Fernville to oversee a contest to identify retired safecracker Jimmy Valentine, believed to be living there under an assumed name. The close-knit town of upstanding citizens is understandably upset by this venture, all the moreso when some of its citizens begin to be murdered. The radio personality and the local newspaper's young daughter collaborate on solving the murders while revealing Valentine, who has become one of the suspects.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

Set in Naples at the end of the 19th century, I Guappi tells the story of a strange friendship between the powerful and charismatic Camorra boss, Don Gaetano (Fabio Testi), and one of the many scugnizzi who grew up on the streets, Nicola Bellizzi (Franco Nero). Nicola, thanks to Don Gaetano's protection, becomes first an honoured picciotto of the Camorra and then a lawyer. He tries to break away from his 'family', but falls back into a life of crime and violence.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Ambitious Emma Eckhert successfully makes her way into a world previously reserved for men: that of high finance. She quickly becomes popular with small savers, but leads a scandalous life that will cost her.

Behzad, who has been in prison for manslaughter for a long time, has a son who does not know about him. When he is introduced, the son goes through a conflict. Then, as a family, they go to the victim's family seeking consent so Reza would be released.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

Gino, a drifter, begins an affair with inn-owner Giovanna as they plan to get rid of her older husband.