New Scenes from America

Neuropathology

This film shows the leaders of organizations that emerged after the Russian Revolution. It is the fragment of ‘Anniversary of the Revolution’ made by Vertov in 1918.

A parade of supporters of the constructed auxiliary language Esperanto, which is intended to be a universal second language for international communication, or "the international language". The word Esperanto translates into English as "one who hopes".

In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by a mallet and drop into a garbage bin. A single black chick appears among the yellow and is shoved toward the garbage bin. Before the mallet strikes, the gasping chick rebels.

Several African immigrants living in Spain speak openly about female genital mutilation.

"My uncle is schizophrenic and my grandmother suffers from a terminal illness. My grandfather, who is unable to take care of them both, must decide between his wife and his son." So begins Mijael Bustos Gutiérrez's remarkable documentary about a family caught between love and duty.

Impressions of New York City. Experimental short.

"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.

A short documentary about the work of the National Trust in Great Britain

A portrait of Athens, Georgia singer-songwriter Vic Chesnutt.

After receiving an anonymous phone call, the cops pick up a young woman who is wandering around alone in the desert. She tells them that she was given a lift by a stranger, who abandoned her there. Or are there more sides to one story? Part of a series of scare movies called Under the Law, distributed by Disney in the 1970s.

A collaborator since 2002 (Notre Musique), Fabrice Aragno did not want to make a documentary ‘on’ but ‘with’ Jean-Luc Godard. The latter decided on a mathematical approach. The TV station asked for 26 minutes, and so Godard suggested they make 26 one-minute sequences, and have 4 shots in each sequence, all recycled from his work.

“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)

Special effects film with a train double exposed on the negative, creating a ghostly image.

A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

Embarquement d'un bœuf à bord d'un navire

A century-old film depicting opium smokers in French Indochina (Vietnam).

The film is a panorama shot-scene lasting just under a minute. The panorama film, as coined by Lumière, is a moving-camera shot--usually accomplished by placing the camera on a moving transport, such as a boat or train.

“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)