Dim Sum (A Little Bit of Heart)

During his waking hours, Kais is in his bed or mobility device, completely dependent on his devoted family for round-the-clock care. At night, he dreams of himself as a manga character, starring in a story of love and bravery that mirrors the selflessness of his parents and siblings.

Imagine the defining moment of your life. Then imagine never talking about it with anyone. This sets the stage for the documentary film 3 Days 2 Nights. In 1974, Mark and Andy Godfrey went on a family ski vacation to Aspen, Colorado. Tragically, the plane they were traveling on crashed. The world, as they knew it, was changed forever. Mark and Andy, who were 11 and 8, survived 3 days and 2 nights in the frigid mountains of Colorado. For nearly 40 years they rarely discussed the crash even between themselves. This is a film about two brothers coming to grips with the defining moment of their lives. Their story is one of cathartic discovery in hopes of reconciling such a tragedy. It's about how the twin beacons of love and family can help overcome even the greatest of losses.

Kneidler

Petra heads to New York in search of her older sister after a long time of being separated. They are both movie actresses and heirs of the wounds of the Brazilian dictatorship. But Petra has only a few clues: home movies, newspaper clippings, a diary...

Upon suddenly learning of her imminent death, Jacqueline von Kaenel begins to search for the key to her life. Unsparingly, she looks back and discovers how everything is connected; her youth in Franco’s Spain with her mother’s feudal past in eastern Prussia, her desire for music with the one for a dominant and powerful husband. In her ambition to be a perfect mother, she recognizes her fight for identity. But all of a sudden experiences from her childhood in a seemingly happy family crop up turning everything upside down.

The internationally acclaimed director and recipient of the Erasmus Award in 2007, Péter Forgács created a documentary exploring the fate of hundred thousands of Hungarian men and women who arrived to the United States between 1890 and 1921. To tell their sagas Forgács weaved this grand epic from the early American cinema, found footage, photographs and interviews. The film reveals the difficult moments of arrival, integration and assimilation, which eventually fed the happiness of the later generations and their fulfillment of the American dream.

The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.

A documentary telling the remarkable human story of Stephen Hawking. For the first time, the personal archives and the testimonies of his closest family reveal both the scale of Hawking's triumphs and the real cost of his disability and success.

Gözde the Fighter

Bernard Bovet le vieil homme à la caméra

How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.

The meaty saga of Burger Baron, a rogue fast-food chain with mysterious origins and a cult following, run by a loose network of fiercely independent Arab Canadian immigrants.

The courtship rituals of animals and plants are compared to those of contemporary society, with educational and frequently humorous results.

It's Christmas Eve, and Synnøve is searching for her drug-addicted daughter Michelle in an almost desolated city. During the course of the evening, she'll find herself in an impossible situation where she's forced to choose.

One day filmmaker Andres Pardo stumbles across 2,000 feet of Super 8 family footage at a flea market. Featured in all these 1970's home movies is a lovely young blond-haired girl, Larisa. Teaming up with a photographer friend, Pardon decides to investigate, uncovering the fascinating story behind the footage.

Tells the story of Larry and Trudie Long, a popular Asian American nightclub act of the '40s and '50s, told through the eyes of their daughter, actress Jodi Long.

Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.

In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.

One summer, many years after his mother confided in him about her emotional difficulties with his father, a filmmaker questions his parents, curious about the state of their relationship. At first glance, their situation does not seem to have changed. Curious, he decides to inquire about it. Their activities and discussions both revive nostalgic and fearful emotions. He sees that his mother does not feel the same. From this moment that he realizes the magnitude of the subject and that some things are not accessible to him.

"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City