Doppelherz

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

Belly

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Flint must quickly alter his plans for a romantic date with Sam after his monkey-cleaning invention goes awry.

Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.

The Foodimals join Earl's scouting program but are very competitive.

Manny saves an adorable kitty with his many skills.

A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.

Nancy and Sluggo do their bit for the USO.

Hannah

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Koro wants to get to the other side of the road.

The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.

Kill

The Farmer is abducted by a capering Jungle Goddess. As pre-Code as a Terrytoon ever got. Most animation is by Frank Moser; with him are Art Babbitt, Jerry Shields, Bill Tytla and others.

Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.

Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.