Kysss

After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

A young woman guides a man through a mysterious forest. In his eyes, everything seems normal, until he comes across two women waiting for him in a macabre ritual.

An impossible city is built up out of enormous rotating rings, steering the lives of its lonely inhabitants. New Babylon is a visual trip through an oppressive night in which contemporary, individualistic life is reflected in a circular metropole.

A Colombian woman arrives at a French airport, she acts suspiciously and appears to be concealing something in her locked case. However a search of her bags and her body reveal something customs didn't expect.

Carl (Ignacyo Matynia) is searching for his missing dog in the middle of the woods. After hours of looking and ready to give up, he stumbles upon something incredibly bizarre; a brand new cabinet mysteriously placed in the woods. Carl's curiosity leads to unspeakable horrors that only his wife (Lauren Dougherty) has a chance of stopping! The Cabinet in the Woods is an obscure, daring cult thriller born from the alliance of multi-award winning director, Andrew Schwarz (SEPARATION), and cinematographer/editor, Bob Klein. Featuring thrilling special effects and makeup by Hinano Leung and Cuty Lin, these ambitious filmmakers have created a body horror classic that has to be seen to be believed.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

A German tourist solicits two Israeli men for kinky sex. The Israelis feel pressure to fulfill the German's violent sexual fantasies.

As the sun goes down in the dark and terrifying Mutantland, hunters are lured into a forbidden zone in their quest for food only to find themselves candidates for the main course.

Battered Warsaw is getting back to life after the WW2 destruction. The ruins of the Old Town become homes once again.

Short documentary on Poland's first steam locomotive.

A miniature parable about a young boy who misunderstands the function of a bird feeder.

Adio is a young man able to control a condition that causes his involuntary transformation into objects based on his emotions until he meets Sophie.

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.