Surfing at Waikiki Beach, Hawaii, on the island of Oahu. Most surfers are human, one is a dog. The educational documentary is part of the Bruce Scenic Novelties series.
"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
Children as young as seven are being groomed to sell drugs for 'county lines' drugs gangs in towns and villages all over the UK. This film follows four young people trapped in this world.
Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.
This documentary follows the lives of five Japanese individuals to explore how depression is perceived in Japan and how the marketing of anti-depressants since the late 1990s has shifted public awareness. Once a term used only by psychiatric professionals, "utsu" is now commonly used as anti-depressant use has surged.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
Different species of fish and frogs, inside an aquarium.
Lyon, Men rescue rabbits from flood.
A crowd of spectators listen to President William McKinley's speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
People gather at the exit of the St. Trophime cathedral in Arles.
Pedestrian and various vehicles traffic on Place Bellecour, in Lyon.
Horses and their riders make their way into the compact and agitated crowd of spectators.
The main market square in the heart of Brussels.
Coach W. Hickenbotham takes "Newhaven" out of his box and places the horse at the center of the paddock. Gardiner, the jockey, saddles up the horse, rides it and begins to spin, slowly.
Panorama during the ascent of the Eiffel Tower.
Panorama of the port of Algiers.
A street scene with a government building in the background.