Collage of Our Lives

The Dance is a 1962 French comedy film directed by Norbert Carbonnaux and starring Jean-Pierre Cassel, Françoise Dorléac and Arletty. The film is based on the French comic strip 13 rue de l'Espoir.

A photographer becomes intrigued by a mysterious man who has chosen to filter his experience of the world through a cardboard box placed over his head.

The relationships of two couples become complicated and deceitful when the man from one couple meets the woman of the other.

Marion and Jack try to rekindle their relationship with a visit to Paris, home of Marion's parents — and several of her ex-boyfriends.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.

A young photographer takes nature shots and selfies for an online dating profile. During a break, another young man seemingly appears by chance, but as the conversation unfolds, it becomes clear that nothing is accidental when your image is on the internet.

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

A mother and daughter sift through old memories as they prepare to permanently close down their family's photo lab.

Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

A memory jogged by a teapot from an old lover quickly turns into an adventure of discovery for Mary Beth Higgins and her new found friend Wanda as they hit the road in Wanda's RV/Soup Truck.

A young Australian reporter tries to navigate the political turmoil of Indonesia during the rule of President Sukarno with the help of a diminutive photographer.

An 18-year-old college freshman is seduced by a handsome vampire lover who introduces her to a dark world of carnal desires.

Nadya and her fellow photography students are sent to the countryside to take photographs for their upcoming final exams. She's jealous of two other students. One has a high society girlfriend so she decides to make love to him and secretly take pictures of him to blackmail him....

The Photographic Experience, a short film by Anthony Bvlgari, follows Tony, an environmental photographer of the 1970s as his newly acquired camera reveals its photographic history to him. Photographic Experience is made as a moving artwork in mind, stylistically exploring popular film styles and genres of the 1970s, 1960s, 1950s, 1940s, and 1930s.

Hattie, a New Orleans prostitute, meets a photographer named Bellocq at her brothel one night and, after he photographs her, he befriends her 12-year-old daughter, Violet. When Violet is brought on as a working girl by her mother's madam and Hattie skips town to get married, Violet quickly loses her innocence and focuses on reuniting with Bellocq. But a life with Bellocq is compromised for Violet after her mother returns to town.

Alicia and Leo travel to Italy, to their late mother's childhood village, guided only by a small box filled with her memories.

Fragments of the life of Antonia, a young photographer for a local newspaper in Corsica. Her commitment, her friends, and her loves intertwine with the major political events of the island, from the 1980s to the dawn of the 21st century. It is the fresco of a generation.

In the late 1980's Shanghai, a 16 year-old boy, Xiaoli, comes of age surrounded by his neighbors and grandfather. His best friend is a girl named Lanmi, a couple years older than him. But Lanmi slowly drifts away from him, lured by the new opportunities which come as China opens up to foreign goods and businessmen. At the same time, the 1989 events force Xiaoli to grow up and to let go of his teenage dreams.