La Folle de Chaillot

Quadrille

Folie douce

Harold Chasen is a young man of 19 years with an overflowing and morbid imagination, who takes advantage of his free time to attend funerals, and stage suicides to react to his mother, Mrs. Chasen, a strict, tyrannical woman and a a bit hysterical, who takes care of finding a wife for his son. But when Harold meets Maude, "80 year old princess", nonconformist and full of life, everything changes for the young man. The old woman teaches him to love life through more wacky experiences than each other, and Harold falls in love with it.

In a small town in the 1950s a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.

Hold Up

Monsieur Chasse ! is a farce in three acts by Georges Feydeau.

Face à face

Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.

Les Femmes savantes

Hôtel des deux mondes

Le Gardien

Les Précieuses ridicules

Geneviève lives with her mother who runs an umbrella shop in Cherbourg. She falls in love with Guy, who is called up for military service in Algeria and leaves the city. The lovers separate, promising each other eternal love. But Geneviève soon discovers that she is pregnant and ends up giving in to her mother's pressure by marrying Roland, a rich jeweler who has long coveted her. When Guy returns to Cherbourg, he discovers Geneviève's marriage and finds his seriously ill aunt who is faithfully cared for by Madeleine, who has been in love with him for years.

A viceroy, a nobleman and a bullfighter court a comedy-troupe actress in 18th-century Peru.

They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…

La Mamma

Alceste hates all of humanity, denounces its hypocrisy, cowardice and compromise. But he nevertheless loves Célimène, flirtatious and slanderous. The virtuous thus launches into battles lost in advance which force him to flee.

Le Plus Heureux des trois

La Cruche

La Jalousie