Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.
A failed singer tries to improve his show with a trick up his sleeve.
After her mother had passed, Darinka lives with her grandma. In her fantasy she lives her own version of Sleeping Beauty. Her musical talent helps her to cope with illness and fulfill her dreams.
Evan Hansen, a high schooler with social anxiety, unintentionally gets caught up in a lie after the family of a classmate who committed suicide mistakes one of Hansen’s letters for their son’s suicide note.
Two vaudevillians on the run from crooks try to pass themselves off as cowboys.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
An epic tale spanning forty years in the life of Celie, an African-American woman living in the South who survives incredible abuse and bigotry. After Celie's abusive father marries her off to the equally debasing 'Mister' Albert Johnson, things go from bad to worse, leaving Celie to find companionship anywhere she can. She perseveres, holding on to her dream of one day being reunited with her sister in Africa.
A teenager whose father is a millionaire radio station owner secretly records a song and plays it on one of his father's stations. It becomes a hit.
A miniature vaudeville show, complete with a title card introducing each act, is presented. First up is The On-Wah Troupe, an East Asian group of contortionists. Next, Blossom Seeley and Benny Fields sing a duet of the song, "Why Don't You Practice What You Preach". Third up, father and son Pat Rooney and Pat Rooney Jr. perform a recitation and dance musing about if they will ever be as clever as their dad. And the last act on the bill is The Runaway Four, a group of comic acrobats.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
When eccentric candy man Willy Wonka promises a lifetime supply of sweets and a tour of his chocolate factory to five lucky kids, penniless Charlie Bucket seeks the golden ticket that will make him a winner.
Two vaudeville acrobats adopt the son of an actor friend.
This musical comedy stars radio star Al Pearce has a double role playing himself and Elmer Blurt, the leader of a small-town band that struggles toward stardom in the big city. Their journey begins when Elmer decides to eject their female singer because she isn't really right. Unfortunately, her angry father is their sponsor and when he finds out, he withdraws all support.
A group of late 19th century German teenagers – silenced and controlled by a censorious society – discover a new world of feeling and freedom outside the classroom, with beautiful and devastating consequences.
Home Street Home, a new musical, will play an 11-performance run between February 20 – March 7, 2015 at Z Space, located in the Mission District in San Francisco, the producers announced today. Home Street Home features music by punk legend Fat Mike (NOFX), lyrics by Fat Mike, Jeff Marx (Tony Award® winner, Avenue Q) & Goddess Soma (AVN Award winning writer/director), and book by Goddess Soma & Fat Mike. Richard Israel (LA Drama Critics Circle Career Achievement Award winner) will direct.
The story revolves around a U-shaped alleyway in Lucknow, India, where various individuals reside. Mirza is a gentle and poetic man who runs a Tea and Kebab Stall. Hariya, a mischievous young man who develops one-sided feelings for Shabbo, a strong and outspoken young woman.
based on Oscar Wilde's Lady Windermere's Fan.
Musical about two sisters in love with the same man.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.