Death in Venice

A colorful and comedic staging of the classic opera buffa by the Vienna State Opera.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.

Early Rossini has a youthful, buoyant vibrancy about it, even in the dark swirls of drammi per musica like Sigismondo. The work, centered on a mad king and his delusions, was rarely played after its premiere in 1814. This performance marked the first from the critical new edition at the 2010 Rossini Opera Festival in Pesaro and was hailed as a "perfect symbiosis of music and stage work" resulting in "truly brilliant theatre." Complete with a cast of sought-after Rossini singers, this is not to be missed.

In January 2007, superstar soprano Natalie Dessay, joined on stage by acclaimed tenor Juan Diego Florez dazzled British audiences in Laurent Pelly's new production of Donizetti's "LA FILLE DU REGIMENT". The perfectly staged & cast production became the operatic event of the year, receiving rave press reviews & rapturous audience ovations.

This is an excellent version of one of the greatest of all comic operas, featuring superb singing and orchestral playing. And it's not just the two headliners; listen, for example, to the entrance of the stepsisters at the beginning of Act One. Nevertheless, some viewers may find the staging problematic, with singers in clown-like costumes and sets featuring human-sized rodents. Those seeking a more conventional production might want to consider the Houston Grand Opera DVD, also on Decca, with Cecilia Bartoli and Raul Jimenez. Both sets are wonderful, but, for me, Joyce Didonato and Juan Diego Florez are slightly to be preferred. Highly recommended.

An all-star cast assembled for the Met’s first-ever performances of Rossini’s romantic retelling of Sir Walter Scott’s epic poem The Lady of the Lake. Joyce DiDonato is Elena, the title heroine, who is being pursued by not one, but two tenors—setting off sensational vocal fireworks. Juan Diego Flórez is King James V of Scotland, disguised as the humble Uberto, and John Osborn sings his political enemy, and rival in love, Rodrigo Di Dhu. Complicating matters is the fact that Elena herself loves Malcolm, a trouser role sung by mezzo-soprano Daniela Barcellona, and that she is the daughter of Duglas (Oren Gradus), another of the king’s political adversaries. Paul Curran’s atmospheric production is conducted by Michele Mariotti.

An aggressive agent turns a hotel porter into an overnight sensation.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

Notre Dame de Paris tells the story of Quasimodo, the hunchbacked bell-ringer of the cathedral of Notre-Dame and of his impossible and tragic love for Esmeralda, a beautiful gypsy. A love condemned by injustice and hypocrisy. Quasimodo forced by his ugliness to look at the world from the top of a tower one day he falls madly in love with Esmeralda who sees dancing and singing on the square in front of the cathedral. But Esmeralda is in love with Febo, the handsome captain of the King's guards. Febo is fiancé of Fiordaliso, a young and rich bourgeois, but the exotic and sensual beauty of the gypsy does not leave indifferent the man who immediately falls in love with her. Even Frollo, the archdeacon of the cathedral, is attracted by the gypsy and spying on the moves of the two lovers in a raptus of jealousy and repressed carnal desire to get rid of the rival stabbing Febo behind.

Macbeth" was Giuseppe Verdi's first attempt at music drama and also the first manifestation of his profound love for Shakespeare's work. Verdi took great pains with this opera, displaying special enthusiasm for it as he concentrated on the main characters of Lady Macbeth, Macbeth and the witches. This recording of Luca Ronconi's production is conducted by Giuseppe Sinopoli, who brings fresh color to Verdi's score. The cast, headed by Renato Bruson and Mara Zampieri, are strongly supported by a fine-toned and adaptable chorus who ably meet the demands of Verdi's great "chorus opera.

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.

Fidelio

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

The delightful light operatic farce by Johann Strauss is presented at the Morbisch Lake Festival (Seefestspiele Mörbisch) starring Herbert Lippert, Richard Samek, Heinz Zednik and Dagmar Schellenberger.

In Verdi’s retelling of Shakespeare’s towering tragedy, Renée Fleming gives a captivating performance as the innocent Desdemona, a role long considered one of her calling cards. Johan Botha as the title hero delivers an imposing portrayal of a proud warrior brought down by jealousy, and Falk Struckmann is thrilling as the villainous Iago. James Morris sings Lodovico. Elijah Moshinsky’s production is conducted by Semyon Bychkov.

37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.

This is a performance of Wagner's three-act opera Der fliegende Holländer ("The flying Dutchman"), performed by Bayreuther Festpiele, directed by Dmitri Tcherniakov. The staging was notable for two other milestones, as Oksana Lyniv became the first woman to conduct at Richard Wagner’s legendary Festspielhaus since its opening in 1876, and the sensational Lithuanian soprano Asmik Grigorian made her house debut with a standout performance as the opera’s heroine, Senta. The exceptional cast also included John Lundgren (The Dutchman), Georg Zeppenfeld (Daland), Eric Cutler (Erik) and Marina Prudenskaya (Mary).

Anja Harteros excels in the title role of Michael Sturminger’s cinematic staging of Puccini’s “Tosca”, the centrepiece of Salzburg Easter Festival. Aleksandrs Antoņenko compellingly portrays Cavaradossi, while Ludovic Tézier is a thrillingly malevolent Scarpia. Christian Thielemann leads the Staatskapelle Dresden. “Tosca” is a political thriller with a heart-breaking love story that gives a vivid account of the harassment of artists, political persecution, torture and arbitrary executions. In Salzburg it is set in the Mafiosi world of modern day Rome and is “the perfect thriller … reminiscent of Scorsese’s ‘Goodfellas’” (Kleine Zeitung), a “film noir”

Rufus Wainwright's original opera finds Emperor Hadrian devastated after his lover Antinous drowns in the Nile River. While matters of state encroach on his grief, and advisors clamour for war against a radical new threat to the Empire, Hadrian slips out of time to re-encounter the vision and reality of Antinous—and learn the truth about what happened on the Nile.