Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.
“Pat Pasloff is a strong artist within a strong tradition…She has transcended some of the angst of Abstract Expressionism, without descending into something that is bland or formulaic or potentially conceptual” – David Cohen Pat Pasloff (1928 – 2011) was an ambitious abstract expressionist painter who produced large scale, fresh, and vital bodies of work. Studying under pioneering artist William de Kooning, she was able to find her own path and grow from his influence. Her patterns and grids come alive with the materiality and physicality of her paintings. Watch as Pasloff describes her experiences painting, gaining an education in art, and as her visual language of emotion comes alive.
When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.
Documentary about a bankrupt Jordanian entrepreneur and an unemployed Irish actress who hatch a plan to scam £2.5m off the British taxman by faking the production of a £20m movie. But they are found out, arrested and then bailed. While out on bail, they decide to prove their innocence by actually making a film. They hire a former nightclub bouncer, now a self-made micro-budget gangster film director. In 2011, Paul Knight makes their movie for under £100,000 with a cast of soap and gangster movie stars including Danny Midwinter, Marc Bannerman and Loose Women's Andrea McLean. The film's title is A Landscape of Lies. But the cinematic alibi does not convince the jury when the trial runs in 2013. The producers are convicted of tax fraud and given long sentences.
The documentary shows the world of the surrealist Canadian artist Alan Glass, his work, his home, his friends, his boxes, all his universe is presented through the point of view of art critics, artists and friends.
A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.
Back To Africa
This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.
A loose collection of scenes in Hong Kong shot over a five-year period, this film begins with the Umbrella Movement in 2014 and ends right before the summer of 2019, when large-scale social unrest and violent resistance erupted. The everyday scenes capture the ambience and the landscape of change in the city, standing as a quiet prelude to the ensuing conflicts.
Within the framework of the “Half a Century of Locarno, Thoughts on the Future” project, seven directors, Idrissa Ouedraogo among them, have the chance to express their vision of the future of the film industry by means of a short film. “The state of the film industry the world is a vast issue,” says the director from Burkina Faso. “I would rather speak about my films, about African films and their relationship with the world”.
The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.
The Art of Antony Gormley features the documentary Antony Gormley and the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor's beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.
Counter Shot: Departure of the Filmmakers
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.
Francis Bacon: Fragments of a Portrait explores the recurring themes in Bacon’s work, his influences and his life. The documentary is accompanied by a haunting score specially composed by Edwin Astley for the production.
BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.
Never before has the extraordinary life of Mexican artist Frida Kahlo been framed in relation to the full spectrum of the historical and cultural influences that shaped her. THE LIFE AND TIMES OF FRIDA KAHLO explores the 20th century icon who became an international sensation in the worlds of modern art and radical politics.
One of Britain’s greatest landscape artists, Eric Ravilious, is killed in a plane crash while on commission as Official War Artist in Iceland in 1942. His life is as compelling and enigmatic as his art, set against the dramatic wartime locations that inspire him. This film brings to life this unique and still grossly undervalued British artist caught in the crossfire of war 80 years ago, whose legacy largely sank without trace, until now…