Minutes before leaving the floor that they have shared for years and ending their relationship, Gala and Marçal try to confront all those feelings that they have never been able to express.
Ryan and Kevin and their crew from Los Angeles are hired by U.S. Interpol to be matched up against the notorious Gambler Crew from South Korea, known to the b-boy world as the best of the best. Their mission is to gather information about Tony Kai, an "ex yakuza" member who controls the Asian underworld in the United States. Tony Kai is in South Korea planning a worldwide monopoly on drugs, sex, and gambling. Ryan and Kevin struggle as they go deeper into the Asian underworld. Ryan falls for a beautiful Korean girl named Esther who happens to be the sister of "Kicker", the leader of the mafia-run Gamblers crew. Their love is put to the test as the rivalry between the two crews escalate. As reality sets in, the crew from LA is no match against the world champion Gamblers crew in the Mach 1 competition. Ryan, Kevin and the crew go into hiding where they meet an underground b-boy legend...
When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
Every Saturday a bunch of youths use to meet at a disco in Milano. Among them soon love and passion explode between a dance contest and another.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
Joseph Zitt’s film dreamtext דברי חלום is a feature-length dream of coming to life in Israel. Four images of dancer Cheryl Nayowitz move past and through images of Israel and words spoken by the Holon Scratch Orchestra, along with music by the ensemble Gray Code. The film and its music are anchored by the song “Sachki Sachki,” sung by Vered Forbes. The film has no story, dialogue, or characters (other than the dancer). While there is text in Hebrew and English, you don’t need to know either language to enjoy the film. The English is a dreamlike text scrambled to approximate what you might hear while falling asleep. The Hebrew words which are heard and seen onscreen during much of the film are streams of consciousness, improvised by women’s voices on the themes of segments of the film. When we hear the song “Sachki Sachki,” the words appear onscreen both in the original Hebrew and in an English translation.
Midsummer celebration with dance and courtship in the idyllic Swedish landscape.
Guy, a once-promising dancer now entering the uncertain stretch of middle age, is thrown off course when he dislocates his shoulder in the middle of a live performance, an injury that leaves him suspended between recovery and the painful possibility that his career may never return to what it was. Unsure of his place in the world of dance and increasingly reliant on painkillers and self-doubt, he accepts a weekend teaching job upstate, hoping the small detour will provide clarity.
An almost dialogueless, poetic impression of an insecure teenager’s dilemma. Alexander spends his first holiday alone in an old beach cabin. Longing for affection, but searching for his identity, he stays inside. From the cabin, he watches the people on the beach. On a diving board, in the middle of the sand, he spots someone who is making some dance moves. Hesitant at first, but increasingly uninhibited, Alexander mimics him, which yields a cautious dance duet at a safe distance. Will he dare to make the next move?
“Hallelujah” is a queer/circus concept about religion and the importance of choosing kindness regardless of our differences or beliefs. Religion is a tough subject for many in the LGBTQ community, and this piece is a reflection of the struggle and rejection we often feel. It tells the story of an individual troubled by the hate in the world and his partner who is fighting to lift him up, to remind him he is beautiful exactly how he is. My message is that religion should inspire more kindness and open arms, even towards those you may not understand.
In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.
Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.
Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.
For two hundred years, the Shakers have been America's most successful utopian society. While seeking harmony, order and perfection in every aspect of their lives, they built minimalistic furniture and buildings that influenced modern design. The Shakers wrote songs of exquisite beauty and danced to the point of ecstasy during their religious meetings. Inspired by this music and dance, choreographer Tero Saarinen created Borrowed Light, a dance piece about communal life and individual sacrifice. Shot in Finland and the United States, featuring interviews and excerpts from Borrowed Light, this documentary explore the cultural legacy of this religious group devoted to creating heaven on earth.
In this musical short, a man tries to woo the manager of a dance troupe.
Childish Whim is a commentary on the feelings of angst and rebellion teenagers are inclined to feel. This short dance film is depicts a young teen who is entirely aware that all of the feelings he is acting upon are momentary impulses, however, he still gives into them.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Fourteen Days is a thought-provoking exploration about the methods artists employ to create their work. Given just fourteen days, 4 internationally acclaimed choreographers worked with 4 world-renowned composers to make 4 new commissions that challenge and stimulate both the audience and the dancers. Highlighting the diversity of styles and approaches, the show plays with the concept of balance and imbalance and proves to be an exciting, varied programme of dance and music.
An elegant, powerful and sometimes provocative look at life and death presented in BalletBoyz’s inimitable style.