The Happy Child

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

In the year 1984, TV Journalist, Donna Detweiler, takes you on a journey with her documentary segment "Down and Out with Donna Detweiler." In episode 6 of season 4, she aims to uncover the lost history whereabouts of the English punk rock band, Sachwheel.

A documentary about the great American movie palaces of the 1920s and 1930s. Filmed on location at some of the extraordinary theaters across the country, the program explores the diverse and priceless architecture of such greats as the Atlanta Fox, the Wiltern in Los Angeles, San Antonio's Majestic, Seattle's Fifth Avenue and, perhaps the most famous, Radio City Music Hall in New York City. Also included are stills and vintage clips of classic movies and newsreels of the era that illustrate the historical evolution and mass appeal of the movie palaces. Picture palace organist Gaylord Carter performs a variety of movie accompaniments.

Live: Right Here, Right Now. is the one and only live album by American hard rock band Van Halen, released in 1993. The album combines songs performed over two nights in May 1992 at the Selland Arena in Fresno, CA. The bulk of the songs on this album were from the first night, such as the solos performed by Eddie Van Halen and Sammy Hagar.

Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.

The extraordinary story of how Hollywood changed World War II – and how World War II changed Hollywood, through the interwoven experiences of five legendary filmmakers who went to war to serve their country and bring the truth to the American people: John Ford, William Wyler, John Huston, Frank Capra, and George Stevens. Based on Mark Harris’ best-selling book, “Five Came Back: A Story of Hollywood and the Second World War.”

After a quarter-century of political denial and social stigma, of stunning scientific breakthroughs, bitter policy battles and inadequate prevention campaigns, HIV/AIDS continues to spread rapidly throughout much of the world. Through interviews with AIDS researchers, world leaders, activists, and patients, FRONTLINE investigates the science, politics, and human cost of this fateful disease and asks: What are the lessons of the past, and what can be done to stop AIDS?

The carnage in Sarajevo provides the focus of this French documentary which seeks to call attention to the terrible conflict in the hopes of finally ending it. The film is divided into five parts. Each part covers a time frame ranging from April 4, 1992, the beginning of the war, to the present. The major issues that occur are three-fold. It depicts the systematic genocide of Bosnians, the silence of Western countries, and the determination of the Bosnians to resist. They refuse to be seen as victims, even though the filmmakers portray them so. Also included are the origins and political aspects of the war. It offers interviews with participants. It also reveals how the U.S. State Department censored reports about Serbian death camps.

Directed by Marianne Chaud

160 meters is the distance between the two banks of the estuary of Bilbao. An economic, social and cultural approach at two ways of looking at life.

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

This documentary, shot entirely on location in Havana, includes many band members' insights into this revival, and features performance footage of an All-Stars' concert at the city's Salon of Dreams.

A documentary about punk and subculture scene of Pula, Croatia from 1978 to 1991, the city that gave birth to one of the most vivid punk and alternative rock scenes in former Yugoslavia, despite having population of just over 60,000 residents.

Extranjeros de sí mismos

An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.

Razing the Bar documents the development and eventual demolition of a well-loved fringe punk rock Seattle venue through interviews of employees, friends, and a multitude of local musicians.

A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Award-winning comedian Rich Hall takes a country music journey from Tennessee to Texas to look at the movements and artists that don't get as much notoriety but have helped shape the genre over the years. With the help of prominent performers and producers including Michael Martin Murphey, Robbie Fulks and Ray Benson, Rich explores the early origins of country music in Nashville and Austin. He visits the rustic studios where this much-loved sound was born and discovers how the genre has reinvented itself with influences from bluegrass, western swing and americana.