Viva Voz

When his mother dies, a teenager takes a road-trip in a stolen car to find his long-lost brother. Along the way he discovers a profound connection with the car-owner and with himself as well.

Based on Tommy Jaud's bestselling novel, this comedy focuses on a dispassionate clerk and his set-backs in life. 29-year-old Simon works in a phone shop, but his thoughts just circle around finding a new girl-friend after being left by his last one year ago. While his Croatian cleaner tries to procure him, his efforts to chat up women in clubs also fail. However, he finds the woman of his dreams (and mother of their future children) in his most hated coffee shop, although not having a clue how to win her heart...

Christoph, 31, a good-looking but frustrated single man and proud owner of a Renault Twingo, dreams of a grandiose career as a writer. But so far he hasn't managed to write more than a few penny dreadful novels for the publishing house "Kemper und Bergmann", which publishes the crime series about the hero Nick Sturm. And since there's not enough money to go around, he has to hire a car from the car rental...

Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments.

Afzal is happy after his uncle helps him to set up his mobile shop. However, things take an unexpected turn when Azhagarsamy gifts him a virus-infected mobile application.

A man is isolated by modern technology. He takes his mobile phone back to the shop - it's not working, he's not receiving any calls. But the phone is fine, it's him that's not working. But he still wants answers.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

Lily Whitmore is the heir to a crumbling factory that she's determined to restore to its former glory. Unfortunately, Lily must instead turn her attention to the conniving Lionel Filmore who's determined to marry into the family no matter what.

Miho (Kaho), a high school student, refuses to approve of her widowed mother’s potential husband when they meet each other at a restaurant. As she flounces out of the restaurant, she drops her cell phone. At the moment there is an earthquake and she drops her cell phone down a staircase. The phone is found by Tokijiro (Kazuma Sano), a boy that lives in 1912...

Two pairs of parents hold a cordial meeting after their sons are involved in a fight, though as their time together progresses, increasingly childish behavior throws the discussion into chaos.

Young Karel buys his first mobile phone, with digital camera, and discovers unexpected possibilities to make his sexual fantasies come true. A slightly absurdistic comedy.

The story takes place on New Year's Eve that a group of friends have been celebrating together for years. The host is the newly divorced psychologist, Aliz, and her guests are her younger brother, Döme, the chemistry teacher, Kristóf, the gynecologist, Gábor, the cook, and Márk, the photographer. They are all childhood best friends. In the meantime, Gábor's wife, Saci, the lawyer, and Márk's girlfriend, Fanni, the young special education teacher joins the group. The topic of the conversation veers in the direction of how nowadays people store many secrets and confidential information on their cell phones, and what kinds of conflicts may arise if the phones fall into unauthorized hands. Each of the seven members of the group insists on not having any secrets, on their lives being an open book, to which Aliz suggests that they should prove it.

A man finds a phone in the park, while he's walking his dog. When a message comes in from Mohammed, he can't control his curiosity. What follows is a view on a special happening, from the corner of a café.

Satish, a newly appointed medical representative, who is basically a family man, living with his brother an auto-rickshaw driver. Sathish is always embarrassed about his mobile phone, and much to his delight picks up a phone which is left carelessly by its owner at a tea shop. The mobile phone gets him into trouble and his carefree life with girlfriend Naveena turns upside down.

The original theatrical trailer for the fictional suspense thriller "Call To Forehead".

Retired from active duty, and training recruits for the Impossible Mission Force, agent Ethan Hunt faces the toughest foe of his career: Owen Davian, an international broker of arms and information, who's as cunning as he is ruthless. Davian emerges to threaten Hunt and all that he holds dear – including the woman Hunt loves.

After the assassination of Tokyo's Governor by Yakuza members, the CIA bureau chief (William Atherton) for Tokyo puts out a call to an agent (Steven Seagal) that had been raised in Japan and trained by ex-Yakuza. Using his former ties, he quickly determines that a war is brewing between old-guard Yakuza members and a young, crazed leader (Takao Osawa) with ties to the Chinese Tong.

A young man receives an emergency phone call on his cell phone from an older woman. She claims to have been kidnapped – and the kidnappers have targeted her husband and child next.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Several people start receiving voice-mails from their future selves -- messages which include the date, time, and some of the details of their deaths.