In the Battlefields

Kim has had enough: of school, of her girlfriend, and even more so of her mother. Because of her, Kim's father is now gone. Just gone. So Kim decides to leave. She can't go back, only forward. Until she finally arrives at the one place where she can still be.

L'últim ball de Carmen Amaya

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

For many years, market woman Addi has been helplessly exposed to the ever-increasing aggression of her husband Max. His physical and emotional abuse has become part of her everyday life, from which she cannot find a way out. Due to her economic dependence on Max and the passivity of those around her, every attempt to escape leads her back to her husband. When Addi accidentally learns of the existence of a women's shelter, this is her long-awaited escape from violence and she flees to the facility with her son. Strengthened by the solidarity among the women, she founds a shared flat with others in order to regain her long-suppressed freedom. Director Cristina Perincioli had the story developed and acted out by residents of Germany's first women's shelter in West Berlin.

During a long, hot summer on the Thamesmead Estate in Southeast London, three teenagers edge towards adulthood.

A New York City writing professor, Frannie Avery, has an affair with a police detective who is investigating the murder of a beautiful young woman in her neighborhood.

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.

A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.

A financially strapped mother joins a Mohawk woman to smuggle illegal immigrants into the United States.

Four young women continue the journey toward adulthood that began with "The Sisterhood of the Traveling Pants." Now three years later, these lifelong friends embark on separate paths for their first year of college and the summer beyond, but remain in touch by sharing their experiences with each other.

Sam, a neurodivergent man, has a daughter with a homeless woman who abandons them when they leave the hospital, leaving Sam to raise Lucy on his own. But as Lucy grows up, Sam's limitations as a parent start to become a problem and the authorities take her away. Sam convinces high-priced lawyer Rita to take his case pro bono and in turn teaches her the value of love and family.

An empty, undefined world. Gabriela (70) is seriously ill. By all means she tries to keep alive, to escape from her own death. In her suppressed and rising fear of death she refuses any moral argument. Gabriela becomes an animal.

The loving and nurturing Mariel marries Edward after his first wife abandons him and their three children. Mariel strives to win the acceptance and affection of her new stepchildren, even as she tries to define her role in the family.

Meredith Baxter plays Joyce Wadler in this heartwarming story of hope, courage and redemption inspired by the New York City journalist's real-life struggle with breast cancer. Stuck in a lackluster relationship with her boyfriend, she's forced to re-examine her life when she receives the troubling diagnosis.

A female teenager witnesses a murder in a desolate high density housing area on the outskirts of Berlin and is henceforth in danger.

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center

Agnes is not satisfied with her life. She wants a change, but her relationship with her single parent father and dominant girlfriend inhibit her to do something about it. When the father introduces his new wife, Annalyn, everything changes. The same-aged Filipino stepmother helps Agnes see a new path. Soon emerges something that no one could have foreseen.

After a tragic crime of passion, Artur leaves the depths of Brazil on a journey in search of redemption. Early on, he meets Matuim, the anarchic captain of an old vessel, and comes to befriend him through a series of tense and comic situations.