Porcelain

Abyssal

A young woman offers her special services as a virtual après-ski partner.

Attrape-moi

Bing & Bong

Birth of a doodle

Capter le fuyant

During the 2020 pandemic, a group of friends spend Halloween messing around with a Ouija Board over Zoom. But with the world online, making a connection has never been easier.

Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.

Two teenage boys idle away a seemingly ordinary afternoon, but as events stir up hidden feelings, confusion leads to the testing of boundaries.

In this microcosm of the modern world, three couples, each at a different stage of their lives and relationship, face up to the conflicts of their differing cultures, backgrounds and beliefs.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

In a public mall bathroom, Lilly, François, and their 6-year-old daughter bid farefell to an unborn family member.

Ben and Raz are painstakingly pursuing their desire to have a child, and the migrant neighbourhood where this gay couple has set up their new flat is on the up. But a conflict over a newly planted tree in the city brings deep-seated prejudices to light.

Contemporary dance company Adventures In Motion Pictures' triumphant modern re-interpretation of Swan Lake, with its cast of male swans, has turned tradition upside down and has taken the ballet fraternity by storm. Never has such a contemporary re-working of a traditional ballet thrilled both ardent critics and modern dance enthusiasts in such equal measure. Originally broadcast on the PBS series "Great Performances" (season 26, episode 15).

Two young men meet for casual sexual intercourse. The physical connection is undeniable. A moment changes everything and a decision needs to be made for this to become a real encounter and put an end to a history of emotional isolation.

After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.

Sonia, the daughter of a prominent publisher, is about to fulfill her lifelong dream of marrying Rosendo, a promising writer with homosexual tendencies, who pines for his fiancee far less than he does for the brand new literary award launched by his future father-in-law. The wedding shindig will bring its share of unexpected surprises. This is a film is part of the DOGME 95 Movement, described as follows: 'the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors' performances. Given these restrictions the story and the action of DIAS DE BODA ('WEDDING DAYS') seem much more immediate and the lapses in fluidity of the story can be forgiven - to a point.

In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'

Faced with the loss of his friend and the urges of withdrawal, a heroin addict embarks on an unexpected journey with a young boy to find a lost dog.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”