The Making of King Arthur

Trixie charmed audiences and judges as winner of RuPaul's Drag Race All Stars. But the grind of performing and the pressure of the title proves that heavy is the head that wears the tiara.

Take a front row seat as we sit down to chat with some of the creators and stars of the best and most beloved exploitation and grindhouse films of the 1970s and 80s. Featuring interviews with John Dugan (The Texas Chainsaw Massacre), Craig Reed (The Re-Animator), John Russo (Night of the Living Dead), Lynn Lowry (The Crazies), Carl Crew (Blood Diner), and many more independent horror veterans.

We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.

Analog celluloid strips are disappearing. Is film dying, or just changing? Are the world's film archives on the brink of a dark age? Renowned filmmakers, museum curators, historians, and engineers help dramatize the future of film and the cinema in the age of digital moving pictures.

A quick look at the movie's structure, similar films, crafting a thriller/horror film in Peele's voice, issues of race in the film, Peele's work as director, themes, and more.

A behind the scenes snapshot of the making of one of the greatest films ever made. Filled with trivia, interviews from cast and crew, and more.

The making of the film that introduced Timothy Dalton as James Bond, who gave Bond a darker edge for a new generation.

A documentary about special makeup effects on low budget horror films. Includes behind-the-scenes footage from Murder Weapon (1989), Robot Ninja (1989), Ghoul School (1990) and Skinned Alive (1990).

The Warwick Rowers Charity Calendar making of films are rightly famous. Shot and edited by a world-class director/editor since 2012, In this second film, in Spain, is shot in an extraordinary private garden that overlooks the Straits of Gibraltar, where the Atlantic Ocean meets the Mediterranean sea. As well as the dramatic and unique location, we are delighted that we were able to bring a total of twelve rowers to Spain this year. The privacy of the garden, the warmth of the Mediterranean summer and the camaraderie between such a large group of rowers make this a film like nothing we’ve made before.

The Warwick Rowers are celebrating their tenth anniversary with their best ever new products for 2019. Shot on location in Australia, Italy, England and Spain, the new calendar is a testament to the ambition and achievement of these young college athletes. They set out in 2009 to make a small student calendar, more for fun than money, and instead created one of the world's leading examples of the ally concept in inclusion. They have inspired women and LGBT men around the world including Robbie Manson, the Olympic rower and world record holder for single sculling. Robbie joined the boys naked for their Sydney shoot and is the very first special guest star in a Warwick Rowers calendar.

A behind-the scenes featurette documenting the making of Pedro Almodóvar’s The Skin I Live In.

The cast and crew of 'Enemy' guide the audience through the making of the film and the possible meanings behind its enigmatic imagery.

Spend time with the original cast, along with new voices, as this behind-the-scenes special recalls the birth of "X-Men: The Animated Series," and its revival thirty years later as "X-Men '97."

A documentary detailing the making of the cult favorite "Plan 9 from Outer Space," featuring interviews with cast members and prominent filmmakers about the film, its lasting legacy, and its creator, Edward D. Wood Jr.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Jacqui Getty's behind-the-scenes look at Gia Coppola's directorial debut Palo Alto, starring Emma Roberts, James Franco, Jack Kilmer, Nat Wolff, and Val Kilmer.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

Gary Russell of Marvel Comics' Doctor Who Magazine investigates the world of BBV. In a relatively short space of time and with relatively small amounts of money, Bill Baggs has produced a series of videos which have a special appeal for Doctor Who fans. Stranger Than Fiction looks at the development of BBV's production techniques, through story, rehearsal and shooting. There's a chance to discover the origins of the scripts, as well as to see lost scenes from the Stranger videos and The AirZone Solution. This fascinating behind the scenes story is told with revealing, on the spot Hi-8 footage, together with exclusive star interviews.

In the second "Stranger Than Fiction" documentary, Mark Gatiss explores the three latest BBV productions; "The Terror Game", "Breach of the Peace" and "The Zero Imperative", from the writers perspective. Using behind-the-scenes Hi-8 footage, outtakes and interviews with Colin Baker, Jon Pertwee, Sylvester McCoy and Nick Briggs, this fascinating documentary examines the script from initial beginnings, through character and narrative development to its eventual realisation on the screen.