This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
Farm girl Olga Ström is seduced by the Hans Brandt, who soon abandons her, even though she carries their child.
A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.
Produced under the supervision of the U.S. Navy. James Randall, an upperclassman at the Naval Academy, falls in love with Patricia Lawrence, the sister of a plebe. She is engaged to Basil Courtney, a wealthy reprobate who arranges with Rita to discredit James.
A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.
Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.
Ethel, whose financially distressed parents depend on her marrying into wealth, may be forced to abandon the man she loves for her father's rich friend.
A sweet-natured young Irish woman is courted by a romantic poet and a local country gentleman. Which man will she choose?
Therese Roger, daughter of a West Indian planter, whose parents are murdered while she is a baby, becomes the adopted daughter of her aunt, Madame Roger, keeper of a haberdashery shop in one of the smaller villages in southern France. She grows up with Camille, Madame Roger's son, a sickly, sexless creature, whom she ultimately marries in deference to her aunt's wishes.
Miha invites his fiancée Minka to the dance, but he's tempted by another big desire of his - climbing. Frustrated Minka insists on the festivity, where she finds herself in a company of older hiker. However, all ends happily, as Minka and Miha, after many smaller adventures, meet at the top of Mount Triglav, where they sign the marriage contract, but also confirming their love for the mountains. In addition to its charming story, the movie features footage of picturesque Slovenian mountains.
It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.
Mina Rogers (Mary MacLaren) is unfairly cast out into the cruel, cruel world by her crotchety old uncle. She searches for a new home, resorting to deception so that she will be taken in. Along the way she meets a doctor, certain mysteries surrounding her are solved, and the doctor asks her to marry him.
Renée isn't very happy in her marriage with colonel Brachart and starts a relationship with a young lieutenant.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
Vantyne Carter is a playboy living in luxury off his father. Vantyne's cousin Teddy, meanwhile, leads a fine upstanding life -- or at least he appears to, so he can curry favor with his wealthy uncle, Vantyne's father. One day, the senior Carter, fed up with his son's antics, decides to play a trick on both Vantyne and Teddy. The old man and his lawyer go off on a hunting trip, and then the lawyer returns with news that Carter was killed in an accident.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.