An abused woman conjures up a spirit to take revenge on the men who have misused her.
Short World War II documentary showing how the everyday work of British housewives aided the war effort.
Eleven-year-old Lauren is house sitting with her older brother Wout and sister Marit when their parents are away for the weekend. Lauren thinks the world of her sixteen-year-old brother, who, like fourteen-year-old Marit, seems to move in a magical world that is still obscure to Lauren. Lauren’s silent admiration and her feeling of being shout out battle for precedence.
What do you do if you want to keep reality at a distance? You put a camera in between, just like the boy that unrelentingly lets his camera run at his father’s funeral. His mother can order him to put the thing away as much as she wants, the son keeps capturing what his eyes don’t want to see and his heart doesn’t want to feel. In the process, the handheld perspective also represents the mourning of a child who’d obviously rather play than weep.
Muere, mi vida
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
A boy and his brother run away from home and hitch cross-country, with help from a girl they meet, to compete in the ultimate video-game championship.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
Stefania reaches an existential crisis, amidst the stresses at home, at work, and in her memories. Her life and that of her hapless husband turn when they take in a charming and mysterious traveler, a gentle wanderer on his own quest.
Two young women making videos for their Youtube channel, stuck in beauty-industry and product-placement. A tyranny of clicks, likes and follower, a gamble with truths and autenticitates.
Manos (Christos Loulis) seems to have problems with his love life. He leaves the capital and coercive girlfriend to be close to his only relatives in the province. There, apart from his uncle (Paul Chaikalis) - that is looking frantically for donuts with honey - and beloved aunt (Bright Baxevani), he will meet Xenia (Fay Xila), an old friend who now works in the funeral home. With the help of the clever and cute pink piggy Marikaki he will try to reveal a old secret on the whole village and break out the lies that prevent redemptive truth.
The Legend of a Sigh is Tahmineh Milani's strikingly feminist film which draws on the literature of Azarbayejan province. The protagonist is a female novelist who experiences the lives of four women from different social strata. The film offers a fascinating portrait of a range of Iranian women and their problems
New in High school. The cell phone at reach. Love lays in bed. Looking for the right words. Scars on the skin. To fight for your own place, you have to cross the playground.
Henk, a good family man from Wolfsburg, accidentally gets on an ICE Sprinter in Berlin that is going non-stop to Frankfurt. On the train he meets Eva, a woman who is on a dangerous mission. She doesn't need anyone near her. But Henk sticks to her and lives through a night in Frankfurt at the side of this ambitious, well-rounded woman, which turns both of their lives upside down. They will talk, argue, laugh, eat, drink, dance with each other that night.
Uma, a mute Brahmin girl, lives with her uncle's family as she is an orphan. Since Uma has a faulty horoscope which indicate widowhood, the family finds it impossible to get her married off. According to a custom prevalent at the time, Uma is given in marriage to a tree.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
A disk jockey goes to Vietnam to work for the Armed Forces Radio Service. While he becomes popular among the troops, his superiors disapprove of his humour.
When Sam Baldwin's wife dies, he is left to bring up his eight-year-old son Jonah alone, and decides to move to Seattle to make a new start. On Christmas Eve, Jonah rings a radio phone-in with his Christmas wish to find a new wife for his dad. Meanwhile in Baltimore, journalist Annie Reed, who is having doubts about her own relationship, is listening in.
On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.