El hombre cine mexicano: Pedro Infante, el mito

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

A sadistic psycho, disguised as a military man and wearing a helmet, attacks and murders (mostly) women in a small town. It's up to the police captain and his girlfriend (who must act as a decoy) to stop him.

The police plan to capture a killer by using a double that looks exactly as one of his victims.

Nacho and Memo start working as night watchmen in a Tequila factory. It is a stormy night. As soon as they recognize themselves alone in the middle of the huge industry, they get ready to drink and then they discover an intruder inside the facilities. It is Don Catarino, an old beggar who lives off the mercy of the employees and is the one who warns them that a lost soul usually appears in that factory on stormy nights. He pleads with them to ignore her and not allow her to involve them in her troubles. As soon as he disappears, a woman asks them for help to shelter from the storm.

Emilio strikes up a conversation with Jennifer in which he tells her about his afflictions about his life and his family, and then finds himself with a pleasant surprise for him, but with sadness for her.

Yo Creo En El Ruido

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Nocturno a Rosario

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Roy Del Espacio (aka Roy From Space) was a Mexican animated movie directed by Hector Lopez Carmona, Rafael Angel Gil and Ulises P. Aguirre that was in production from 1979 to 1982, being released in theaters in Mexico City in 1983. However, the end result was apparently of really poor quality, so much that the movie was pulled from theaters only two days after its premiere. The movie was never broadcast on TV nor released on home video, and information about it or its creators is almost nonexistent. The only surviving visual information is a promotional poster containing both original art and a black and white still from the movie.

A 17-year-old teenager maintains a troubled relationship with her mother due to the pressure she generates on her to lose weight, and expresses her feelings through painting.

Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.

El que la traga la paga

No Me Digas Wey

The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.