Love Life

A film based on the 1890s play of the same name, The Village Postmaster surrounds a love triangle and the implications of love, deceit, and fraud.

School captain Ellie is seriously crushing on her rebellious classmate Abbie. Determined to ask her first love to the year 12 formal, Ellie devises a plan to go public with the invitation but before she can go through with it, her dead aunt Tara reappears from beyond the grave. Believing she's been brought back from the dead to be Ellie's fairy godmother, Tara dishes out unwanted dating advice based on her life as an out lesbian in the '80s.

Ana has just been dumped by her boyfriend Manuel. While living with her, he never let her own a pet because he thought it was cruel for the animal and not very hygienic. Once he even convinced her to get rid of a turtle that was given to her as a birthday present. But now she has decided to get a puppy, partly as revenge for leaving her and partly to help her forget about him. She names him "Man" because he sees him as half "Manuel" but still twice the man he was. Time goes by and the dog grows up but she can't forget her ex-boyfriend, and she doesn't want the dog anymore. So she plans to give him away, as a Christmas present, to her brother. She leaves him in the car and has dinner with her family but when she comes back to get him, the car is gone and so is the dog. She feels very sad and tries to find Man. Until one day, Manuel shows up at her door with him. He tells Ana a story of how he bought the dog at the market they used to visit when they were together, and how ...

Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

In 1951, a young Vietnamese girl arrives at a Saigon household as their new servant.

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

The Wongs struggle to cope with life, love, and family dysfunction in the suburbs of New York.

A young woman comes home to a half-empty apartment, and she feels alone. An older man walks through the corridors of a half-empty airport, and he feels alone and sad. He takes a photograph out of his wallet, tears it in two and drops it on the moving walkway. Both are torn in two. A girl in Paris is alone with a cat. A man arrives in Warsaw, and a woman is there to meet him. She drives him to his parents’ home. An accident, a murder—nothing alters the imperturbable course of life.

When her father dies, a young Afro-Mexican woman joins the Revolution, the way he was planning to do, and becomes the leader of a Zapatista battalion.

There are three children growing at Tammaru farm - one boy, Margus; and two orphan girls, Mari and Tiina. Margus' parents want him to marry Mari instead of Tiina as she is more their kind. Hotblooded Tiina is completely different from them and her mother was once executed for being a witch. Thinking that Tiina has bewitched Margus, Mari starts to publicly accuse her stepsister of being a werewolf.

11 year old Davy discovers that a chained gentle dog, Buck, is badly wounded around the neck because of the thick, tight collar he is made to constantly wear by his unfeeling owner. When Buck comes through the fence and becomes stuck, Davy removes the collar. Even though the boy tells him to stay in his owner's yard, the dog follows him home.

When East Germany ceases to be separate from its western half, one would think that things would be better for the couple in this movie who have been plagued by sexual and political harassment of the most virulent kind, but , they are completely unprepared to cope with the swift changes that are transforming their familiar yet desperately unhappy world. In the story, Heinz is a laborer in the cooperative apple orchards of an East German village and has married his sweetheart Lena. She works to take care of the sickly wife of the co-op's manager and also must cope with the sexual attentions of the perfidious man. One day, after discovering this state of affairs, Heinz blows up and assaults his wife's harasser, which only serves to land him in jail. While in prison, the state secret police (the Stasi) get him to help them entrap the co-op manager, whom they believe is going to try to defect.

Tatyana Prokofievna is an ageing woman with a diva’s behavior, but her life is uneventful, ordinary and dull. To escape the everyday slumber she seeks companionship of young men. She provides shelter and becomes involved in their problems. Her ex-boyfriend has married a younger woman. Tatyana is forced to keep her loneliness hidden because of her role as hostess.

An elderly man's innocent friendship with an eight year old girl is tarnished by the assumptions of a community when the little girl goes missing.

The film revolves around Claire, a kind soul who resents having to enforce the law at all times, and Jay, an angry Traffic Officer who loves his job, being the perfect outlet for his anger and frustrations. Coming both from a place of despair and loneliness, Jay and Claire meet and engage in a tumultuous relationship which will eventually teach them that love can spread redemption.

Gilda Bessé shares her Paris apartment with an Irish schoolteacher, Guy Malyon, and Mia, a refugee from Spain. As the world drifts toward war, Gilda defiantly pursues her hedonistic lifestyle and her burgeoning career as a photographer. But Guy and Mia feel impelled to join the fight against fascism, and the three friends are separated.

Young adolescent girl Jenna's mother is dying, while at the same time Jenna is turning from a young girl into a young woman. So it is difficult for her to admit that she is afraid to lose her mother; instead she behaves contrary to how one would expect.

A wife and mother is consumed by the thought that her husband's co-worker is trying to win him away from her and their family.

For her debut feature Finding Sayun (不一樣的月光), Atayal director Chen Chieh-yao (陳潔瑤) returns to her home village to unearth the legend of Sayun (sometimes spelled Sayion), an Atayal girl who fell to her death in a turbulent stream while carrying a Japanese teacher’s belongings at the end of World War II. The movie begins when the tale of Sayun draws a television crew to the Atayal hamlet of Tyohemg (金岳) in Nanao Township (南澳), Yilan County. Yukan (Tsao Shih-hui, 曹世輝), a high-school boy and a young hunter, does not understand the crew members’ interest in the story. But his grandfather’s (Chang Chin-chen, 張金振) memories of Sayun, whom he went to school with, revives his interest in the old tribal village, which the villagers had been forced to desert 50 years prior.