Jackpot

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

Two twin brothers are living on a different sides of Berlin Wall after being separated after birth.

Two female scam artists, one low rent and the other high class, compete to swindle a naïve tech prodigy out of his fortune. A remake of the 1988 comedy "Dirty Rotten Scoundrels."

Bret Maverick is a gambler who would rather con someone than fight them, and needs an additional $3k in order to enter a winner-takes-all poker game beginning in a few days. He joins forces with a woman with a marvelous Southern accent, and the two try and enter the game.

A Yorkshire coal mine is threatened with closure and the only hope is for the men to enter their Grimley Colliery Brass Band into a national competition. They believe they have no hope until Gloria appears carrying her Flugelhorn. At first mocked for being a woman, she soon becomes the only chance for the band to win.

Want to know what a successful day in the life of the little asshole looks like? Yes? Well, after you have successfully disturbed your parents' lovemaking, you concentrate on your own libido. This, slightly disturbed, forces you to strain the weak heart of pensioner Mrs. Koschmidder with unambiguous offers.

When the Lemon Drop Kid accidentally cheats gangster Moose Moran out of his track winnings, the Kid promises to repay Moose the money by Christmas. Creating a fake charity for "Apple Annie" Nellie Thursday, the Kid tricks his gang into donning Santa suits and "collecting dough for old dolls" like Nellie who have nowhere to live.

Eddie and Lou are a couple of two-bit con men on the lam from a loan shark. They hide out in someone's house and they hear on the answering machine that (A) the owner of the house is out of the country for a month or two and (B) the housesitter supposed to watch the house for the absent owner won't be able to watch the house due to a new job in another part of the country. This provides for a pretty nifty arrangement for Eddie and Lou...until the relatives of the house owner drop by to visit. Eddie quickly adopts the guise of the person supposedly housesitting for the owner, and the shenanigans start from there.

A con artist is caught by the cops and is swindled off the money by his own partners. Meanwhile, a person who he had scammed hires a gangster to finish him off. Can he outwit these people and turn over a new leaf?

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

Es muss Liebe sein

A con artist escapes a deal gone wrong in New York and winds up in the Aussie outback in a strange town whose inhabitants are an oddball collection of misfits.

Charlie (Nedumudi) and Gopu (Ratheesh) are small time con artists who get by life doing petty thefts. They meet Unni (Mohanlal), another jobless young man. Reluctantly Unni joins the other two and try to rob from a car owned by Guruji (Madhu). They get caught but Guruji takes them to his plantation and gifts them 10,000 rupees each under the condition that they need to meet him a year later at the same place and tell him what they did with the money.

Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his straight-A students the finer points of rock 'n' roll and the power of sticking it to the man. But as the school’s stern principal closes in and the Battle of the Bands looms, Dewey must risk everything to prove that rock 'n' roll can change lives.

Everyone has 'moved on', except for Sherman and Jim Levenstein's still understanding father. Little Matt Stiffler wants to join his older brother Steve's business and, after everything Matt has heard from Jim's band-geek wife, he plans to go back to band camp and make a video of his own.

Jimmy Rabbitte, just a thick-ya out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager. But behind the scenes, the group’s sudden fame tests their strength, their maturity and responsibility, and their ability to resist the temptations that money and notoriety always make possible.

The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.