Tigon Tales of Terror

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

A medium-length film that takes the central place in the video installation "The Lady of Corinth". In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.

An educational short film about correct speaking methods.

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

Mysteries of the Unseen World transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception

The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

Jonas Mekas documents Timothy Leary’s Millbrook estate in the wake of a police raid, juxtaposing serene images of the property with audio of officials justifying their actions. Blending diary footage with subversive reportage, the film exposes the gap between perception and authority, offering an oblique portrait of the counterculture and its suppression.

Harraga is an illegal immigrant who do it by land, by air or by sea. With no visa, nor passport. Out of the law (...) Yes, that's the key, outlaw ... but what happens when those harraga are kids?

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

From polar bears in the arctic tundra to black bears in the Northern Rockies, you'll see some of the most spectacular footage ever shot of these enterprising omnivores. Catch salmon with a group of hungry grizzlies on the McNeil River in Alaska. Crawl inside a den with a mother black bear and her cubs. Learn about the challenges facing each of these species as their habitat diminishes.

Two eighth graders doing an assembly on cleanliness and neatness seek underclassmen. A look into Don and Mildred's hygienic endeavors.

From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.

Fighter Pilot: Operation Red Flag follows American F-15 Eagle pilot John Stratton as he trains with some of the world’s best pilots. The movie depicts Stratton’s progression through the challenging and dangerous exercises of Operation Red Flag, the international training program for air forces of allied countries.

This large format film explores the last great wilderness on earth. It takes you to the coldest, driest, windiest continent, Antarctica. The film explores the life in Antarctica, both for the animals that live their and the scientist that work there.

Explore the extraordinary hidden world of insects, where a leaf weighs more than a car, rain drops feel like exploding hand grenades and a blade of grass soars like a skyscraper. Shot on location in the Borneo rainforest, Bugs! brings the beautiful and dangerous universe of its tiny stars up close and personal with cutting-edge technology that magnifies them up to 250,000 times their normal size.

The film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.

This film shows how far we have come since the cold-war days of the 50s and 60s. Back then the Russians were our "enemies". And to them the Americans were their "enemies" who couldn't be trusted. Somewhere in all this a young girl in Oklahoma named Shannon set her sights on becoming one of those space explorers, even though she was told "girls can't do that." But she did.