Franky, der Straßenfeger

Draussen bleiben

Go with Armin and the blue garbage can through Munich and discover what happens to the garbage: Let us show you how 365 cans fit into just 16 water bottles. See how new paper is made from an old newspaper. Watch how waste from the organic waste garbage can is turned back into potting soil.

Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.

Documentary about the Maximilianstraße in Munich.

It does not happen every day that a gigantic stadium is built on a greenfield: In October of 2001, the citizens of Munich voted with a clear yes for a new soccer stadium in the north of the city. 66,000 soccer fans of FC Bayern and 1860 Munich will find a new common home in the futuristic looking structure. But before that stand four years of work on a construction site of superlatives. The director Wolfgang Ettlich and his cameraman Hans-Albrecht Lusznat followed the construction of the new Munich soccer arena since the first groundbreaking. They have recorded several phases of the construction and did thereby get to know the microcosm of a large construction site from the inside: The logistics, with which hundreds of construction workers have to be coordinated, and the steady growth of the stadium all the way to the perfectly conceptualized illuminated structure, with VIP-boxes, mass restaurants, and Europe’s largest parking garage.

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Explore the tragic truth about the massacre at the 1972 Olympic Games in Germany. Through interviews with key people such as the families of slain Olympians, German investigators and an anonymous perpetrator.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

The night of November 8, 1923, is arguably the most significant and transformative in the history of the twentieth century. A localised uprising in the Bavarian capital of Munich, led by a small man with a toothbrush moustache and a poisonous yet compelling grandiloquence, would have repercussions that would lead to the political shackling of an entire nation, the most abhorrent crimes of the century and a world war. You might say, Adolf Hitler came of age amid the smell of sweat and sawdust of a Munich beer hall. In the political chaos of 1923, he was a local irritant, gaining popularity among workers and soldiers, the ethos of his Nazi Party spreading like a virus. His first attempt at attaining true power came with an attempted putsch on the already separatist government of Bavaria, which left him imprisoned.

The film was shot in an old, decrepit building where dozens of guest-workers' families live. The owner, a local influential politician, has avoided paying for the maintenance of the building under the legal standards by using his connections to proclaim the building a national cultural heritage. However, the rent he has been charging was as if the building were an object that offered standard comfort. The only German tenant takes the crew around and speaks of his battle against the landlord’s manipulation.

As the first woman in Europe to found a private space company, Hélène Huby sets out to challenge the dominance of SpaceX. In doing so, she enters a global race in which Europe barely has a foothold. But this is about more than technology: whoever controls access to space also shapes the order of our world. Over the course of several years, the film follows Huby through negotiations, setbacks and the lead-up to a crucial first rocket launch in the United States. Between airports, conference rooms and ever fewer moments with her family, it becomes clear what this ambition demands. As she tries to change the system, she risks becoming part of it herself.

A look back at the meeting in Munich in 1977 between composer and producer Giorgio Moroder and singer Donna Summer, which was to result, amongst other global hits, in the extraordinary “I Feel Love”.

From 1929 to 1939 Edgar Feuchtwanger lived across the street from Adolf Hitler in Munich Germany From his bedroom the young Jewish boy often viewed the Fuumlhrer just across the avenue A schoolboy in Munich at the time Edgar witnessed the rise of Nazism firsthand sharing in the fear and dread felt by all German Jews witnessing the unstoppable ascent of a madman and the start of World War II

"Servus", he said after 49 years as a leading personality at FC Bayern München. Whether as player, manager or president, he played a major role in making FC Bayern the most successful German football club ever. Now, after countless athletical and personal ups and downs, Uli Hoeneß is retiring in late 2019.

How Germany was when its people entered the nightmare of World War II? Despair and fear lead a hungry population to follow the chilling call of just one man to world domination. A real-life horror story, an ominous tale of violence and deception, which takes place from 1919 to 1934. (Entirely made up of restored, colorized archival footage.)

Documentary about Kurt Landauer, the long-time Jewish president of FC Bayern München, who led the club to its first German championship, was persecuted and forced out of office by the Nazis, and rebuilt the club after the war.

In this documentary, which features unreleased demo tapes and very personal interviews, the band looks back at its beginnings, at major achievements, and at hard times.

Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.

They do not earn millions, yet they are happy nonetheless: Maria Meissner (87), Josef “Sepp” Schmid (74), and Rudi Egerer (65) have spent most of their lives working for FC Bayern. Maria still cleanses the trophies nowadays, Sepp still washes and prepares the jerseys of the players in the basement, and Rudi is still the bus driver. They are simple people who may have access to the glamorous world of the big stars, but who never wanted to adapt to the ‘modern times’ unconditionally. They have remained side characters and experience their club from a special angle: Being witnesses of the development from a people’s sport to star cult and commercialisation.

Documentary drama about the revolutionary Olga Benario