Ultraseven. Even after half a century has passed since its initial broadcasting, his story is still etched into people's memories. The story that connects the present as the future of 55 years ago, will be depicted as an 'IF story' that "may have existed" as an episode of the series at the time of its broadcast in 1967, and tell the story of "how it happened."
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
Igami would have wanted to be a manga artist, but he become an exorcist. And in this, he excels. When a yakuza boss asks for his help in dealing with a grave curse, he realizes that a supernatural insect master is active behind the scenes. Furthermore, a great master of the supernatural is putting Tokyo in danger. Igami decides to delve into his arsenal of tricks and spells to thwart these plans.
Gaira, a humanoid sea beast spawned from the discarded cells of Frankenstein's monster, attacks the shores of Tokyo. While the Japanese military prepares to take action, Gaira's Gargantua brother, Sanda, descends from the mountains to defend his kin. A battle between good and evil ensues, leaving brothers divided and a city in ruins.
Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
A nuclear explosion in the far north unleashes Gamera, the legendary flying turtle, from his sleep under the ice. In his search for energy, Gamera wreaks havoc over the entire world, and it's up to the scientists, assisted by a young boy with a strange sympathic link to the monster, to put a stop to Gamera's rampage.
Mining engineer Shigeru investigates the disappearance and death of his fellow coworkers when prehistoric nymphs are discovered emerging from the mines. After an attack on the local village, Shigeru heads deeper into the mines only to make a more horrifying discovery in the form a prehistoric flying creature. Soon a second monster appears as the two converge in Fukuoka.
Later released on DVD, Kamen Rider Kiva: Final Stage is the final stage show and cast talk show of Kamen Rider Kiva. Recorded January 31st, 2009 at Nakano Sunplaza Hall.
A Filipino re-edit of the original Godzilla. Appears to have been edited in a similar fashion to the American King of the Monsters!, with the use of Filipino actors. No footage of this version has ever surfaced.
An atomic explosion awakens Gammera, a giant fire breathing turtle monster from his millions of years of hibernation.
Godzilla has become a distant memory for Japan when the destruction of a US submarine raises alarms for Admiral Tachibana. His estranged daughter Yuri investigates the legend of the guardian monsters, who must rise to protect Japan against the vengeful spirits within Godzilla that seek to destroy both the nation and its people for the suffering they inflicted in the Pacific conflict.
When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters -- a squid, a crab and a snapping turtle -- and transform them into colossal mutant monsters.
An ever evolving alien life-form arrives on a comet from the Dark Gaseous Nebula and proceeds to consume pollution. Spewing mists of sulfuric acid and corrosive sludge, neither humanity nor Godzilla may be able to defeat this toxic menace.
An adaptation of the Rankin/Bass cartoon, "The King Kong Show". King Kong is brought in by the evil Dr. Who to dig for Element X in a mine when the robot Mechani-Kong is unable to do the task. This leads to the machine and the real Kong engaging in a tremendous battle atop Tokyo Tower.
In an effort to find an economic means of purifying salt water, a joint U.S.-Japanese military command is set up on an isolated Japanese island where an unusual salt water lake is situated. However, their purifying experiments arouse the prehistoric monster Obaki from hibernation at the lake's bottom, and it proceeds to attack Japan. Although made by a U.S. independent film company, this film was based on a Japanese Toho monster film of 1958, "Daikaiju Varan", from which all of the monster effects scenes and a few incidental dramatic shots were edited into it.
Bent on the destruction of the human race, the secret underground organization Shocker secretly planned to plunge the world into chaos. But they didn’t count on the revolt of both of their experimentally “reconstructed” human beings, the Kamen Riders. Two years after their first battle with Shocker, a 3rd Rider arises to confront them, known only as “Version 3.” The arrival of the third Kamen Rider will hurl the heroes into their most terrible battle yet and the fate of the world hangs in the balance.
In an alternate timeline the original Godzilla is never defeated and repeatedly reemerges to feed on Japan's energy sources. A new inter-dimensional weapon called the Dimension Tide is created with the intent of eliminating Godzilla. However, the new weapon might also serve as a gateway to something far more sinister.
Obscure French version of the original Godzilla. The film combines elements of the original Toho version and the American King of the Monsters! in a unique assemblage exclusive to the Francophone market. Released by Les Films du Verseau.
Lavish Japanese-Chinese coproduction based on an ancient Chinese legend about a man who falls in love with a snake goddess in human form.