Es muß ja nicht der erste sein

Le plateau télé de Catherine et Liliane

Mr. Follavoine plans to supply the French army with chamber pots. In preparation for this lucrative contract, he invites a doctor from the Ministry of War. The business dinner takes a different turn when Mme Follavoine appears, obsessed by their son Toto's constipation.

Millowitsch Theater - Die vertagte Hochzeitsnacht

Fleur de cactus

Femmes libérées

Les hommes preferent mentir

Portrait Craché

A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.

Le ruban

Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

Set in real-time over the opening night of a troubled production of Hamlet: a cast of narcissistic actors, incompetent stage-crew and a megalomaniac director collide behind-the-scenes of the ongoing show to give the audience a night they'll never forget.

L'Amuse-gueule

Leonard is a couch potato statistician who in his spare time writes railway station novels, with the secret hope of one day being published. After sending a good number of manuscripts that remained unanswered, luck finally smiles on him. His novel is selected by a publishing house. But having signed it with a female pseudonym to satisfy the imperative criteria of the competition, this luck quickly turns into a nightmare.

Bossemans et Coppenolle

Roni Beck is a man whose only thought in life is to become a professional comedian, but who due to his lack of success must live hidden in his mother's appartment in an old people's home, continuing to believe firmly that his day in the limelight will come. One day Serge Grätzer, the director of the old people's home, discovers Roni, and makes him help out with the work. Serge then decides to take a hand in Roni's career, embezzling money to launch the budding comedian. Once again however success eludes Roni. In the end Serge decides to fulfil his own secret longings to be on the stage. This leads to a row between the two men. Despite a reconciliation, they never again appear together on the stage. And when Serge's embezzlement is discovered he has to flee with the police at his heels and the home has to be closes. In the end, Roni persuades Mr. Klein, an eccentric old man who likes to play the stock market, to save the home with the millions he has stashed away.

This story shows the two different parts of acting. The father is a strong, ambitious and inconsiderate actor but his son (Tibor) is a sensitive one. This all takes part somewhere in Hungary when socialism "controlled" the country.

At birth, three children are abandoned in a convent. They are Polito Sol and his siblings, Adriana and Carmelo Águila and they grow up to become the "Águila o Sol" trio. Many years later, Don Hipólito, Polito's father becomes rich and decides to search for his son. In the end he finds Polito and the Aguila siblings.

La chambre mandarine

Faut-il tuer le clown ?