A Walk in the Woods

Adaptation of Arthur Miller's play.

Britain is locked down. Michael and Delroy are dealing with issues closer to home. During an explosive afternoon in Delroy's flat, they are forced to confront their relationship with their country – and with each other.

An affluent suburban couple's empty and gin-fueled lives are observed through the eyes of their neglected, eight-year old daughter.

Amadeus

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

Julie Harris performs her one-woman show based on the life of Charlotte Brontë.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

Sam Shepard's Pulitzer Prize-winning play in a production by The New Group, directed by Scott Elliott. Dodge (Ed Harris) and Halie (Amy Madigan) try to hang on to their farmland and their sanity while caring for their two wayward grown sons (Rich Sommer and Paul Sparks). When their grandson (Nat Wolff) arrives no one seems to recognize him and a secret must be kept.

Chul-soo is a twelve-year-old boy who attends an acting training course. One day, the teacher arranges for him to rehearse a "love confession" scene with the prettiest girl in class, Yeon-hee, but he is unable to perfectly portray the feeling of his heart pounding. However, when his acting counterpart gets replaced with Soo-hyun, a male classmate, Chul-soo realizes that some emotions don't need to be rehearsed...

Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.

The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. An historic BBC production taped on location in and around Kronborg castle in Elsinore (Denmark), in which the play is set.

On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.

‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

From The Public Theater’s Free Shakespeare in the Park at The Delacorte Theater in Central Park, experience this Shakespearean classic directed by Tony Award winner Kenny Leon featuring Tony Award nominee Ato Blankson-Wood (“Slave Play”) in the title role and Solea Pfeiffer as Ophelia (“Hadestown”).

An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre. The film was nominated for an Oscar for Best Live Action Short Film.

The Fantastic Francis Hardy travels the most remote corners of Wales, Scotland and Ireland attempting to heal those who wish to be healed. His wife Grace and manager Teddy complete this nomadic triptych, each with their own telling of the loss, love and struggle of life on the road with a seemingly predestined Faith Healer.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

In an American desert town circa 1955, the itinerary of a Junior Stargazer/Space Cadet convention is spectacularly disrupted by world-changing events.

This musical adaptation of the Studs Terkel book examines the average worker's viewpoint--showing that he or she is anything but average. Based on a series of interviews with real working people--construction workers, waitresses, firemen, secretaries, and cleaning women, Working is both an exploration of the individuals' occupations and a lament for lost hopes and dreams.