The Police Tapes

Karate champion Matt Logan is enlisted by the police to train officers in self-defense after narcotics agents are killed by an assailant using the martial arts.

Israeli-born director Tamara Erde visits six independently-run Israeli and Palestinian schools to investigate how history is taught in this contested region.

25 years later after the events of Samurai Cop (1991), Detective Frank Washington is forced to team up with his long estranged partner Joe Marshall to solve a series of assassinations being committed by a secret group of female vigilante killers.

Jerry Lewis biography

Stephen Neale is released into WWII England after two years in an asylum, but it doesn't seem so sane outside either. On his way back to London to rejoin civilization, he stumbles across a murderous spy ring and doesn't quite know to whom to turn.

An ex-con trying to go straight must face a crazed criminal out for revenge.

The story, told by the survivors, of a group of young men, members of a Uruguayan rugby team, who managed to survive for 72 days, at an altitude of almost 4,000 meters, in the heart of the Andes Mountains, after their plane, en route to Chile, crashed there on October 13, 1972.

Jon Stewart performs a solo standup routine, telecast live from Miami, Florida.

Static was filmed from a helicopter circling around the Statue of Liberty in New York Harbour. It was shot shortly after the monument was fully re-opened following the September 11th attacks. Flying alongside the statue, the camera presents us with startling close-up views of its oxidised copper surface. The continual sense of movement is disorienting, undermining its sense of permanence and stability.

It seems that masked men are knocking over the floating crap games of Chalky and Pete. Chalky and Pete hire the cool, loose, elegant Mr. T to fix things. Then, the masked manipulators set up the death of a collector for a rival gang lord. It looks like it's up to T to hold a gang war from breaking out, keep the police off his back, and earn his fee from Chalky and Pete.

Priest, a New York City drug kingpin, devises a scheme to get out of the business and retire with a big payday, but his plans are complicated when a street dealer rats him out to the police.

Australian authorities arrest a man believed to be connected to the Sydney criminal underworld and send for Inspector Fang Sing Leng from Hong Kong to question him. After the alleged criminal is assassinated, Inspector Leng and the Sydney police try to hunt down those responsible and hope to solve their case along the way.

In 1970, Melek Tez came to Berlin as a young worker from Turkey. A confident woman, she first countered racist resentments and remarks with irony and wit. Jokingly, she even referred to herself as a "Kümmeltürkin", a derogatory German term for Turkish migrants. Yet after fourteen humiliating years, her fighting spirit has given way to resignation: Melek Tez is returning to Turkey. Blending documentary, interviews and re-enacted scenes, director Jeanine Meerapfel chronicles Melek Tez' life experience.

When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.

After the funeral of one of their own, a criminal family decides to embark on an emotionally unnerving journey in an attempt to exact bloody revenge.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.

An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her domestic violence restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations.

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.